"Fairy Tale" by Stephen King is a captivating blend of fantasy and horror, though in a light sense, that takes readers on an unexpected journey. The story follows Charlie Reade, a high school senior who inherits a magical portal from his reclusive neighbor, Howard Bowditch. As Charlie navigates this new world filled with dark forces and epic battles, he grapples with themes of courage, friendship, and the power of good versus evil. King's masterful storytelling and rich character development make this novel a thrilling and heartfelt adventure that will keep readers on the edge of their seats.
King's ability to create vivid, immersive worlds shines in "Fairy Tale." The magical realm Charlie discovers is filled with intricate details and compelling characters that draw readers in from the start. The narrative is both enchanting and chilling, with moments of levity and warmth balanced by the darker, more sinister elements that King is known for. Charlie's journey is not just a physical one but also an emotional and psychological exploration of his own strengths and vulnerabilities.
One of the standout aspects of "Fairy Tale" is how King seamlessly blends elements of classic fairy tales with his signature horror style. The story feels both familiar and entirely new, as King pays homage to the timeless themes of good versus evil, bravery, and sacrifice while infusing the narrative with his unique voice. The result is a book that feels both timeless and contemporary, offering readers a fresh take on the fantasy genre.
Overall, "Fairy Tale" is a must-read for fans of Stephen King and anyone who loves a good fantasy adventure. It's a story that lingers long after the final page, leaving readers pondering the nature of heroism, the power of storytelling, and the magic that exists in the world around us. If you're looking for a book that will transport you to another world and keep you hooked from beginning to end, "Fairy Tale" is definitely worth picking up.
I wasn't born yet in 1970, but it was the year my sister Becki was born, and I have always been fascinated by the past. Growing up, I developed a love for all things retro and found myself drawn to the history and culture of eras gone by. 1970, seems to be a remarkable year filled with significant events, unique trends, and unforgettable moments. Let's take a trip down memory lane and explore what life was like in 1970, a half a decade before I was born.
The cost of living in 1970 was quite different from today. The median yearly income for all families was $9,867, and the minimum wage was $1.60 per hour. The median cost of a new home was $23,400, and a postage stamp was just $0.06. Gasoline cost $0.36 per gallon, and everyday items like VO5 shampoo (15 oz.) were $0.99, Kleenex (200 ct.) was $0.25, and margarine (1 pound) was $0.39. Pork chops (1 pound) cost $0.79, a movie ticket was $1.55, and an ounce of gold was valued at $37.44.
The year was filled with significant news events. In February, the five-month trial of the Chicago Seven ended with all seven acquitted of criminal conspiracy, though five were found guilty of crossing state lines to incite a riot. In March, New York postal workers went on an eight-day strike, resulting in collective bargaining rights and increased wages. April saw the explosion of an oxygen tank on Apollo 13, leading to a miraculous return to Earth for the crew led by Jim Lovell. Americans celebrated the first Earth Day in April, founded by Wisconsin Senator Gaylord Nelson. President Richard Nixon authorized U.S. troops to cross the border into Cambodia. In July, British soldiers enforced a curfew in Northern Ireland following clashes with the IRA. September witnessed Palestinian militants hijacking planes, triggering the Black September conflict. Finally, in November, Pope Paul VI survived an assassination attempt during his visit to the Philippines.
In 1970, Richard Nixon was the President of the United States, with Spiro Agnew serving as Vice President. The U.S. population was approximately 205.1 million, while the world population was around 3.7 billion.
The Isle of Wight Festival, Europe's answer to Woodstock, took place for the final time until 2002, featuring performances by Jimi Hendrix and other legendary artists. Tragically, Hendrix died of an accidental drug overdose shortly after the festival, followed by Janis Joplin's death the next month. Both were just 27 years old. The Doors' lead singer Jim Morrison faced legal troubles and was sentenced to six months in jail for indecent exposure and profanity during a Miami concert, but he died the following year before serving his sentence.
In sports, umpires went on strike for the first time in Major League Baseball history, and Patricia Palinkas became the first woman to play in a professional football game. The New York Times pioneered its op-ed page, and Simon & Garfunkel released their final studio album, "Bridge Over Troubled Water," before breaking up.
The 1970-1971 TV season featured popular shows like "Marcus Welby, M.D.," "The Flip Wilson Show," "Here's Lucy," "Ironside," "Gunsmoke," "ABC Movie of the Week," "Hawaii Five-O," "Medical Center," "Bonanza," and "The FBI." Notable series premieres included "All My Children," "McCloud," "The Flip Wilson Show," "The Mary Tyler Moore Show," "Dan August," "Make Room for Granddaddy," "The Odd Couple," and "The Partridge Family."
In 1970, several beloved TV shows came to an end. On March 13, "The Ghost & Mrs. Muir" concluded on ABC, having initially premiered in 1968 on NBC. "Land of the Giants," which also premiered in 1968, aired its final episode on ABC on March 22. "The Flying Nun," a show that began in 1967, wrapped up on April 3 on ABC. The long-running "Petticoat Junction," which debuted in 1963, ended its run on CBS on April 4. "Dragnet 1967," which started in 1967, concluded on NBC on April 16. The adventure series "Daniel Boone," which began in 1964, ended on NBC on May 7. The spy comedy "Get Smart," originally airing on NBC in 1965 before moving to CBS, had its final episode on May 15. Lastly, the magical sitcom "I Dream of Jeannie," which also premiered on NBC in 1965, concluded on May 26.
Some of the popular movies of 1970 included "Airport," "Catch-22," "M*A*S*H," "Ryan's Daughter," "Love Story," and "Tora! Tora! Tora!" The Oscar winners for movies released in 1970 included "Patton" for Best Picture, George C. Scott for Best Actor in "Patton" (though he refused the award), Glenda Jackson for Best Actress in "Women in Love," John Mills for Best Supporting Actor in "Ryan's Daughter," Helen Hayes for Best Supporting Actress in "Airport," and Franklin J. Schaffner for Best Director in "Patton."
The Baltimore Orioles won the World Series, while the Baltimore Colts were the Super Bowl V champions (determined in January 1971). The New York Knicks were the NBA champions, and the Boston Bruins won the Stanley Cup. Other notable sports achievements included Nebraska Cornhuskers winning the NCAA Football Championship, Billy Casper winning The Masters Tournament, and Jim Plunkett receiving the Heisman Trophy.
Some of the top Billboard hits of 1970 included
"Bridge Over Troubled Water" by Simon & Garfunkel "(They Long to Be) Close to You" by The Carpenters "American Woman/No Sugar Tonight" by The Guess Who "Raindrops Keep Fallin' on My Head" by B.J. Thomas "War" by Edwin Starr "Ain't No Mountain High Enough" by Diana Ross "I'll Be There" by The Jackson 5 "Get Ready" by Rare Earth "Let It Be" by The Beatles.
Popular books of the year included
"Love Story" by Erich Sega "The French Lieutenant's Woman" by John Fowles "The Godfather" by Mario Puzo "Are You There God? It's Me, Margaret." by Judy Blume "Jonathan Livingston Seagull" by Richard Bach "The Bluest Eye" by Toni Morrison "Ringworld" by Larry Niven "Fantastic Mr. Fox" by Roald Dahl "Bury My Heart at Wounded Knee: An Indian History of the American West" by Dee Brown.
Popular toys in 1970 included the Mystery Date game, G.I. Joe, Tonka trucks, Karate Robots, Hoppity Hop, Walkie-talkies, Aurora cars, and Betsy Wetsy dolls.
Popular cars of the year included the Chevrolet Camaro, Ford Mustang, Mercury Cougar Eliminator, Dodge Charger, Plymouth Barracuda, Pontiac Grand Prix, Chevrolet Corvette, Ford Torino, and Pontiac GTO.
The year 1970 saw the birth of many notable personalities. Skeet Ulrich was born on January 20th, followed by Minnie Driver on January 31st. March brought the births of Julie Bowen on the 3rd, Rachel Weisz on the 7th, and Mariah Carey on the 27th. Queen Latifah arrived on March 18th, and Vince Vaughn on March 28th. May celebrated the births of Will Arnett on the 4th and Tina Fey on the 18th. June welcomed Leah Remini on the 15th and Nick Offerman on the 26th. In August, Anthony Anderson was born on the 15th and Melissa McCarthy on the 26th. October saw the birth of Matt Damon on the 8th, and December welcomed Jennifer Connelly on the 12th.
The year 1970 also saw the passing of several notable figures. Bertrand Russell died on February 2nd, followed by Alfred Newman on February 17th. March brought the deaths of William Hopper on the 6th and Erle Stanley Gardner on the 11th. On April 28th, Ed Begley passed away, and on May 14th, Billie Burke died. June saw the loss of E.M. Forster on the 7th and Abraham Maslow on the 8th. Preston Foster passed away on July 14th. In September, the world lost Vince Lombardi on the 3rd, Jimi Hendrix on the 18th, and Erich Maria Remarque on the 25th. Janis Joplin died on October 4th. Charles de Gaulle passed away on November 9th, followed by Rube Goldberg on December 7th and Sonny Liston on December 30th.
On the Newsstand Robert Redford lassoes his way to stardom following his turn in Butch Cassidy and the Sundance Kid. Life, Feb. 6, 1970 The Ohio National Guard opens fire on student anti-war protesters at Kent State University, killing four. Life, May 15, 1970 "Masters of Sex" William Masters and Virginia Johnson continue their groundbreaking sexuality studies with the publication of Human Sexual Inadequacy. Time, May 25, 1970 Fans are quick to blame Yoko Ono for the Beatles' split. Hit Parader, August 1970
Jonathan Frank's "Sleeping in the Arms of Love," released in 2000, is a captivating blend of pop and cabaret, perfect for cozy evenings. The album features Frank's smooth vocals accompanied by a 23-piece orchestra, creating a rich and lush soundscape. With contributions from some of Los Angeles and New York's finest songwriters, such as Francesca Blumenthal and Amanda McBroom, the album effortlessly bridges the gap between familiar classics and fresh new compositions.
What stands out about this album is its ability to transport you to a different time and place. Frank's voice has a warm, comforting quality that makes you feel like you're wrapped in a cozy blanket. The orchestration is top-notch, adding depth and emotion to each song. Whether it's a lively tune or a slow ballad, Frank's delivery is consistently engaging and heartfelt from start to finish.
Overall, "Sleeping in the Arms of Love" is an underrated hidden gem that deserves more recognition. It's the perfect listen for anyone who enjoys a mix of pop and cabaret. This album will undoubtedly leave listeners with a smile on their face and wanting more. If you're looking for something delightful and new to add to your playlist, Jonathan Frank's "Sleeping in the Arms of Love" is definitely worth a listen.
Given the fact that this album is now out of print and unavailable from anywhere but third party sellers, Jonathan has given me permission to share a digital edition of his album on my blog. I hope you enjoy this great album as much as I do.
In the past, I've shared recipes from the old ham store where I used to work, Heavenly Ham. Since recipes use common ingredients and aren't protected by copyright, and because Heavenly Ham didn't have proprietary formulas, it's all fair game. Heavenly Ham closed its doors years ago, and though Honey Baked Ham acquired the properties, they didn't continue using the original recipes for some of the amazing fixings Heavenly Ham offered. I worked there long enough to learn every aspect of the business, including all the ingredients, to the point where I could walk in and prep salads and the sandwich station by muscle memory.
Since sharing the Heavenly Ham recipes for both Turkey Salad and Ham Salad, or at least as close as you can get with items easily acquired from most grocery stores, I have received requests for the Potato Salad, Pasta Salad, Chicken Salad, and Tuna Salad recipes offered by Heavenly Ham. This one is all about tuna. While I didn't care much for Heavenly Ham's Tuna Salad because I prefer chopped pickles or relish and hard-boiled eggs in my tuna, it was a breeze to make due to the few ingredients. We made ours in large batches that wouldn't freeze well, and I wouldn't recommend storing it in the refrigerator for more than five days.
Here’s the recipe: 2 cans of tuna in water, drained 1 tablespoon of dried chopped scallions 1 teaspoon of lemon-dill seasoning 1/2 teaspoon of white pepper 1/2 cup of mayo (add more if it’s too dry for you, but wait until everything is blended to make that call)
Stir, refrigerate, and enjoy up to five days. Don't forget a slice of Havarti cheese, which was the cheese we used in the late 1990s. If you don't have or can't find lemon-dill seasoning, you can use dried dill and lemon pepper seasoning, but forgo the white pepper since lemon pepper already contains pepper. I've heard that some of the franchised locations used different recipes, but this was the one we used at the Buckhead location and taught franchise owners. If you're interested in the other Heavenly Ham salad recipes, I only have one more to share—Pasta Salad—since I don't remember how to make the official chicken salad. I blocked that memory out because it contained grapes, and I don't like chicken salad with grapes. The potato salad wasn't made in the store; it was actually Reser's Deviled Egg Potato Salad scooped from a carton and repacked into plastic containers.
I've tried to keep most of my posts positive, but since this blog is about things I love and elements of my life, it can't always be cheerful. So, here I am, sitting at Kaiser Permanente, waiting for Terry as he gets the first of two lumbar facet nerve block diagnostics. Hopefully, this will lead to lumbar ablation and some relief from his years of pain.
Last year, I injured my back at work. Even though I like my job, Georgia's workers' comp laws aren't the best. I've endured pain while receiving treatment and working my normal schedule. I had similar procedures done and they offered a lot of relief, but I feel like I'm due for another round of ablation as the pain is starting to creep back.
This past year has been a medical nightmare for both Terry and me. If it wasn’t our backs, it was something else. I've struggled with weight loss for years. Over 20 years ago, I was diagnosed with hypothyroidism and low testosterone, but I lost my insurance when I was laid off. Working in restaurants and hotels meant no insurance, so I couldn't get treatment. Med-Afford clinic in Fayetteville has been a lifesaver, helping me with blood pressure, ear infections, and sleep issues. Terry’s been lucky with continuous insurance coverage.
For my back issues, workers' comp covers the costs, but everything else falls under my regular insurance. My work plan is decent, with lots of preventative care covered and a low deductible. But, as I sit here, I'm thinking about the past few months. Respiratory issues from the chlorine plume at the BioLab fire in Rockdale led to pharyngitis and a middle ear infection. This Thursday, I’m having my 7th myringotomy.
My ears have always been a struggle for me. I’ve dealt with ear infections as far back as I can remember. An old doctor my parents took me to for the typical "swimmer’s ear" sort of infection told my mom to put alcohol in my ears when they bothered me. So that's what she did, not realizing that not all ear infections are the same. Most of my issues were middle ear infections, and as noble as my mom’s efforts were with the alcohol drops, it couldn’t treat an infection on the other side of my eardrum.
My first-grade picture shows bags under my eyes because I spent most nights with my head on my mom's heating pad, trying to alleviate the pain and pressure from my left ear. Despite the colds, flu, and ear infections that followed, I had perfect attendance throughout my elementary school years. My mom eventually took me to a doctor who recommended a myringotomy in his office but warned that he wasn’t an ENT, so there was a chance I could go deaf. He suggested a specialist for a second opinion.
This was one of the rare times our family had insurance through my dad’s job. When my mom discussed it with my dad, he thought the doctor didn’t seem confident, but both of them were hesitant to seek a second opinion, fearing the original doctor would get mad. This was a thing for my parents—they firmly believed seeking a second opinion could be upsetting if the doctor found out. They didn't realize how crucial a second opinion could be.
Despite their reluctance, my middle ear infections would eventually resolve themselves, although they were particularly tough when I was working as an actor or singer. Not getting proper treatment earlier damaged the nerves and bones in my left ear, leaving me with only 5% hearing in that ear. Luckily, my right ear functions well, and I can rely on it. If only my parents had understood the importance of second opinions back then.
Eventually, I got a myringotomy, which helped for years, but I lost most of my hearing in my left ear due to untreated infections. Luckily, my right ear is mostly fine though I have had a few middle ear infections in it also. Recently, I got my testosterone levels tested again and I finally saw the specialist and I am now on testosterone therapy, currently on 2 pumps of gel a day and within a week or so I noticed a difference in energy as well as other things higher levels of testosterone bring 🍆💦💦💦 if you catch my drift.
Despite good insurance, co-pays and co-insurance add up, especially with taking time off for doctor's visits. Taking time off work for both my own doctor visits and Terry's has really eaten into my paychecks, thanks to using up all my sick time throughout the year. I'm determined, after this week, to be that person who shows up to work no matter what's going on. But trying to line up doctor visits on my only weekday off, Monday, is a real challenge.
One of the coolest things in modern medicine is the ability to do virtual and e-visits. Up until a few months ago, I had never done one, but I've had three over the past month: one with a specialist, another at 3:00 AM, and the third at 4:30 AM just before heading into work. I saw my parents struggle with their health when they were my age, and I vowed never to get that way. Here I am now, but luckily, access to medical resources has become a bit easier, depending on your insurance situation.
I really appreciate having Kaiser for insurance, especially with a few full-scale facilities near my house. They function like a factory assembly line: see the doctor, get labs done, and pick up meds at the pharmacy on the way out the door—no need to go anywhere else. I just wish they could cover time lost at work. I vowed never to let my health get as bad as my parents' did, and I'm grateful for easier access to medical resources.
So, that's what's been going on and those are my thoughts for the day. Sorry, nothing too exciting to report today though in a couple of hours, I'll share something a little more lighter.
When I was a little kid, besides December for the obvious reason that Santa Claus was coming to town, I looked forward to the month of October. Not only did it mean the fair would be going on during the month, but it also meant Halloween was upon us. The older I get, the less interested I become in Halloween. I never fully understood it other than it was a chance to score free candy while dressed up as something fun. I loved to dress up, but I never really got into the Halloween party spirit.
Elvira WAS Halloween when I was a kid
Growing up, I wasn't allowed to watch horror movies because they COULD give me nightmares. My parents thought my overactive imagination would turn those spooky tales into sleepless nights. So, while my friends were watching "Halloween" and "Nightmare on Elm Street," I was stuck with lighter fare like "It's the Great Pumpkin, Charlie Brown" and other kid-friendly shows. Even without the scary movies, October still held an air of mystery and excitement.
When Terry and I lived in apartments, we always bought candy just in case trick-or-treaters stopped by. Sometimes they did, and other times we ended up eating all the candy ourselves. When we bought our house, we went all out with decorations from Target, Walmart, Garden Ridge, and wherever else we found cool stuff. For the first few years, we really got into the spirit of handing out candy. Instead of using a bowl to hand out random handfuls of candy, we made individual bags of candy that I heat-sealed, and Terry finished with a sticker. Kids knew our house was the place to be because we handed out bags with Fun Sized chocolates, gum, jawbreakers, gummies, and a sucker of some sort. Unfortunately, the next day, I'd find our bags, minus the contents, strewn around the neighborhood. I guess parents don't really monitor their kid's candy like they did in the 70s and 80s.
You too can be a makeup artist, lol
Speaking of the 1980s, I remember we didn't have as many choices for Halloween costumes as there are now. We didn't have Party City or Spirit Halloween; we had K-Mart, Woolworth, TG&Y, and True Value hardware. Yes, True Value did sell costumes at one time, they also had one hell of a toy set up during Christmas. As a kid of the 70s and 80s, you either had store-bought costumes or something homemade. Looking back, the store-bought costumes were horrible. I had a Superman Ben Cooper costume in preschool and still remember the plastic mask with eye holes that didn't align, a mouth slit that could cut your lips and tongue, and nostril holes that weren't big enough to let your breath escape. We were walking nightmares, smelling our breath and sweating in our vinyl jumpsuits with pictures on the front of who or what we were supposed to be. For the life of me, I can't remember if the costume was supposed to be worn over clothes or if you were only supposed to wear it with just underwear. Homemade costumes were nice if your parent was interested in creating one, but mine wasn't. My mom made her own costumes a few times, but for my sister and me, we used stuff from around the house. One year, my sister was a “hobo,” and I was a ghost covered in a pastel green sheet that had a seam sewn in the middle along with three holes cut out, 2 uneven eye holes and for some reason, my mom also cut a hole for my nose, I guess she thought I might suffocate. I hated that costume; I wanted to be Peter Criss from KISS or Wonder Woman, but neither was in the cards for me. In all fairness, it may have been slightly better than the costume's my mom's coworkers threw together one of the years the Pensacola Interstate Fair offered free admission to anyone wearing a costume. Ten of us showed up at the fair wearing paper grocery bags from Delchamps and Food World cut with "fringe" and each of us with a feather poking out of our hair posing as half baked Indians. By the time we entered the gates, we were all already stripping off the grocery bags and left the Indians in the trash cans next to the Beer Garden before making our way to get our 8 or 10 buck "G" (for Goodings) handstamp so we could ride whatever we wanted all night.
I got even in the 9th grade for all of the costume craziness of the past when my mom wanted me to come to her Ala-non Halloween party at the library in Milton, Florida. I convinced my sister and her best friend to dress me up as a hooker. With my mullet that looked like a shag haircut when feathered back, I wore my sister’s friend's shoes (a size too small and too narrow), black spandex tights, a silver vest and a bra. I discovered during the summer of 1992, I looked better than most of the New York City hookers, and I was better dressed and way more conservative. My mom was horrified when her friends came up to introduce themselves to me and said they had heard so much about Dee’s daughter, prompting my mom to say, "This is my SON."
My sister had this costume
Looking back on these memories, October is still a special month full of magic, creativity, and a bit of spooky fun. It's a reminder of the joy in simple traditions, the excitement of dressing up, and spending time with family and friends. Even though my enthusiasm for Halloween has changed, the nostalgia from past Octobers keeps the season bright. Here's to making new memories and keeping the October spirit alive, no matter our age. 🎃✨
In 1988, during the OP Surf Contest in Huntington Beach, CA, a huge riot broke out, grabbing national headlines as cop cars were flipped and chaos ensued. Interestingly, Christy Smith was down the street at a friend's house, enjoying a Corona on the front porch when millions of people swarmed the street. Little did she know, this chaotic event would be just one of the many wild experiences she’d encounter.
At the time, Christy was working as a delivery driver for Beach Auto Supply. She often drove around with a bumper sticker that read, "I Survived the 1986 Riot." Evangelina and her friends had sued the police department due to injuries sustained during the riot, and after a long class action lawsuit, she received a settlement. With dreams of doing something big, she moved to Hollywood and found herself in a studio apartment where the cast of "I Love Lucy" once stayed. The Golden Girls were filming there at the time, and she often saw them as they arrived at the studio across the street.
Skateboarding around Hollywood, Christy decided to pursue acting. She picked up a copy of the Drama-Log magazine, where she found auditions listed. After a mix-up with addresses, she ended up at an audition she hadn’t planned on attending. After securing headshots and body shots for $35 at the farmers market, she returned to the casting office. Thanks to her athletic background, she was offered a spot to train as a wrestler with GLOW, Gorgeous Ladies of Wrestling. After a few months, she was cast as Evangelina, a good girl mingling with the bad girls, preaching repentance.
Evangelina & Hollywood
Performing in season three of GLOW, Evangelina brought her Roman Catholic upbringing and knowledge of other religions to the character. She even drew inspiration from televangelists like Jim and Tammy Faye Bakker. While it was a challenge to balance her spiritual beliefs with the character’s semi-evil persona, she embraced the role. Steve Blance, their writer, helped craft her character’s storyline and wrestling moves, making Evangelina a memorable part of GLOW history. Though she eventually left GLOW and moved on to other ventures, her time as Evangelina remains a cherished chapter of her life.
If you're in the mood for a campy, hilarious Western, "Lust in the Dust" is a must-see. Directed by Paul Bartel and released in 1985, this film stars Tab Hunter, Divine, and Lainie Kazan. The movie follows Rosie (Divine) and a cowboy named Abel (Tab Hunter) as they venture into a wild New Mexican town, filled with characters that make Divine’s presence seem normal. It's packed with over-the-top personalities and outrageous situations that will have you laughing out loud.
I had the pleasure of being friends with Tab Hunter during a brief time in the 1990s. Funny thing is, I didn't know who he was back then. It wasn't until many years later, when I watched the film "Polyester" for the first time, that I realized I had known a Hollywood icon. This was a regular occurrence in my teen years, probably because I didn’t have much exposure to pop culture outside of what was popular in Pace, Florida. "Lust in the Dust" is another gem that showcases his talent and charisma. Tab Hunter and Divine share a unique chemistry that makes their scenes together incredibly entertaining.
The supporting cast is equally memorable. Lainie Kazan's portrayal of Marguerita Ventura is larger than life. She’s an absolute riot, and hearing her belt out a hilarious musical number makes you wonder how good her performance as Barbra Streisand’s understudy for Fanny Brice might have been. The film is full of absurd yet hilarious moments. Other stars featured in this film are Nedra Volz, known for her performance as sweet Miz Tisdale in The Dukes of Hazzard as well as the original Joker in Batman, Cesar Romero. Don’t go into this if you're easily offended by politically incorrect humor, because this was created in the spirit of absurdity. Many people confuse this for a John Waters film, no doubt because the most iconic star of his films was the leading “lady” of this one. The humor is unapologetically campy, which might not be for everyone, but it's perfect for those who appreciate this genre. The film doesn't take itself too seriously, and that's what makes it so enjoyable. It's a great escape from reality and a fun trip to the wild West with a twist.
If you enjoyed movies like "Polyester" or anything by John Waters, "Lust in the Dust" is definitely for you. It's a unique blend of Western and comedy that stands out for its creativity and humor. Plus, seeing Tab Hunter and Divine on screen together again is an absolute treat. So grab some popcorn, sit back, and get ready to laugh your way through the wild antics of "Lust in the Dust."
Enjoy the wild ride through "Lust in the Dust"! 🎬✨📖
"Heartstopper: Volume 1" by Alice Oseman is an adorable graphic novel that beautifully captures the ups and downs of teenage life. The story is all about Charlie, a shy gay student, and Nick, a cheerful rugby player, and how their friendship slowly turns into something more. Oseman's artwork is so expressive and sweet, perfectly matching the heartfelt story. It's not just another love story—it's a genuine portrayal of LGBTQ+ relationships that feels both relatable and uplifting.
One of the best parts about "Heartstopper" is how real the characters feel. Oseman really nails the excitement and nerves of first love. The way Charlie and Nick interact is just so cute and authentic. The book is packed with adorable moments, thoughtful conversations, and meaningful character growth. You'll find yourself rooting for these two as they navigate their feelings and the challenges of coming out and being true to themselves.
Overall, "Heartstopper: Volume 1" is a heartwarming read about friendship, acceptance, and love. Oseman’s storytelling is both touching and entertaining, making this book a must-read. Whether you’re a teen figuring out your own identity or an adult reminiscing about your first crush, "Heartstopper" will leave you smiling and feeling warm inside.
Many years ago, my partner Terry gave me the FlashPad 3.0 as a Christmas gift, and I absolutely loved it then and still do to this day. This game has become a staple in my life, bringing endless hours of fun and entertainment. The FlashPad 3.0 is a touchscreen game with LED lights and sound, which I usually turn off while we're watching TV. It comes with a variety of games that keep things interesting. One of my favorites is "Chase Me," where you have to quickly tap the lights as they appear. It’s a great test of speed and reflexes. Another fun game is "Catch Me," which challenges your memory and concentration. "Remember Me" is another engaging game, very much like Simon, that’s perfect for sharpening your memory skills. The variety of games ensures there's always something new to enjoy.
What makes this gift so special is not just the fun it brings but also the memories of Terry watching me open the wrapping paper and seeing my surprise. He never thinks he gives me good gifts, but in reality, he does the complete opposite. We were flipping channels and stopped for a second on QVC while this was being demonstrated for their Christmas in July program. Although I don’t recollect saying anything, I guess he noticed my interest in it. Six months had passed, and I had forgotten about the game until I opened it on Christmas morning. The moment I put batteries in and began to play, I was hooked. It reminded me of a Christmas gift my dad had given me from Radio Shack when I was a kid, but much more modern and perfect to be stored on a coffee table without looking out of place. I LOVED it, and Terry did a wonderful job getting me exactly what I wanted, even though I said nothing.
I love the fact that the FlashPad 3.0 is portable, so I can take it anywhere, though it never leaves my house. I play whenever I have a few spare moments. I also think the fact that I can use it whenever the power is out makes it even better than a tablet, phone, or laptop. Although it does take 3 AAA batteries, it’s no big deal because they last a long time even with a lot of play. Find amazing deals on rechargable batteries that come with chargers on eBay. 🔋✨
Overall, the FlashPad 3.0 was an amazing gift that I cherish dearly. It combines fun, challenge, and a whole lot of thought on Terry’s part. Though it’s no longer available from QVC, it’s available on eBay at very reasonable prices. If you’re looking for a way to disconnect from the world and still play a game, this device offers a range of engaging activities. I highly recommend giving the FlashPad 3.0 a try. Happy gaming! ✨🎮✨📖
Sarah Brightman’s "Fly" album is a magical ride from start to finish. I was a huge fan of Brightman’s previous album “Dive” which featured covers and tunes written or co-written by Frank Peterson of Enigma fame. Released in 1995 and subsequently released a year later featuring the duet “Time To Say Goodbye,” this album blends pop, classical, and electronic sounds in a way that only Brightman can. It kicks off slow with the title track and gradually builds. My favorite from the album for years was the track "A Question of Honour," a powerful track that mixes opera and dance music seamlessly. The song builds up with intense energy, setting the tone for the rest of the album.
"Ghost in the Machinery," a hauntingly beautiful track with a catchy beat. "You Take My Breath Away" follows, showcasing Brightman’s ethereal voice perfectly. Each song on the album has its own unique vibe—like "Something in the Air," which features Tom Jones and has a fun, retro feel to it. "Heaven Is Here" is another standout, with its dreamy melodies and soothing vocals.
The album doesn’t shy away from emotional depth, either. "How Can Heaven Love Me" is a duet with Chris Thompson that’s both powerful and heartfelt. The album wraps up with a reprise version of "Fly," a tender and touching conclusion to this musical journey.
Fly was also re-released for Brightman's La Luna Tour featuring a bonus disc known as Fly II and again in 2006 as an expanded single disc featuring tracks from Fly II as bonus tracks.
Overall, "Fly" showcases Sarah Brightman’s versatility as an artist. Whether she’s belting out high notes or singing softly, her voice is captivating. Each track brings something different to the table, making this album a must-listen for both old fans and new listeners alike.
Y'all know I love me some carnival rides. So, take a look at this photo for a hot minute before proceeding to read my blog. Have you ever seen one of these in action? Did you ride it? Well, I did, and the first time was enough to be the last time for me.
Side By Side, Ring of Fire & Hi Roller
I used to love the Super Loops aka Mega Loop aka Ring of Fire, built by Larson International, before my body began to tell me I am not built for multiple inversions within a short period of time. I loved the upside-down action back in the day. THIS ride, however, looks like someone took the idea of the Super Loops, squished it down to an oval then combined it with parts used to build various kiddie rides, creating the most nightmarish ride I have ever ridden in my life.
The Hi-Roller aka Crazy Train, manufactured by Larson International, began to pop up on carnival midways in the mid-1990s despite its low capacity. The ride consists of an oval track mounted onto a frame. Riding along the track are five triangular-shaped cars that hold four people each, and you definitely do not want to be in the car with someone who may suffer from any sort of motion sickness. Most of the early versions were themed Hi-Roller, featuring graphics of poker cards, slots, and other casino-related visuals. The 90s brought in the casino themes with rides like the redesigned Trabant, which Chance Rides renamed Wipeout. For anyone who's ridden this ride, you would agree that Hi-Roller is a fitting name, allowing a casino theme as well as a description of the ride experience.
Riders enter one of the five, four-person cars, sitting, facing the car in front of them. If they are claustrophobic, they better speak up before the operator locks them in because once it starts, there's no turning back... then again, they will be turning back and in every other direction. The only comfortable thing about this ride is the padded lap bar. When the ride begins to move, you think it's going to be tame because the train starts to slowly trod around the track. However, the second the whole structure begins to spin, all hell breaks loose, and you are banging into the person next to you and they into you for the duration of the ride.
One of the best parts of the ride, if you are not opposed to the nature of the movements, is the fact that you can see the reactions of the riders in front of you unless the plexiglass window is caked with dried vomit. As you round the bend in the turns, you will be quite close to each other, adding to the chaotic experience. Did I mention that the cars flip open when the operator lets you out? Just imagine a power outage or the ride breaking down while the cars are in the turn, trapping the riders until they either winch the train to the straight position or the ride starts back up. There's not much ventilation, so it gets hot, and if someone was sick on the ride, you might catch a few whiffs of whatever they left behind.
Have you ever ridden the Hi-Roller? If so, what are your thoughts? My takeaway from the one time I rode this ride was that it’s similar to the time my sister convinced me to get into a clothes dryer, then closed the door and turned it on. Just awful.
Seeing Cats on Broadway in September 1992 was a magical experience. My friend Tom and I met in front of the Majestic Theatre, hoping to see The Phantom of the Opera. Unfortunately, it was sold out. Though it was in its 4th year, Phantom tickets were a challenge to get, and two seats together were almost impossible. We accepted defeat and decided to try another show. I had suggested Les Misérables, but Tom said it was three hours long and the only special effect was the guns, so he suggested Cats. I had not seen the show yet and had only heard the songs "Memory" and "Mr. Mistoffelees." From the moment we walked into the theatre, I was awestruck. The set was everywhere. Christmas lights strung over the audience made it feel like we had walked onto a movie set. As the lights dimmed and the overture began, you knew you were in for something special when you heard the patter of feet throughout the theatre and saw glowing eyes moving around the aisles. The costumes and sets were impressive. Tom and I were sitting close to the stage, in a row that had enough space for the actors to pass in front of us. The elaborate cat costumes, complete with furry tails and whiskers, transformed the actors into their feline counterparts but definitely not your average kitty cats. As Old Deuteronomy, played by Ken Prymus, slowly passed us, observing everyone around as an old cat would do, Tom and I could feel some of the fibers that made up his costume, which I discovered was made of yak hair. The set, designed to resemble a junkyard, was a playground for the cats, filled with oversized props that created a sense of scale and fantasy. The use of lighting and special effects added an extra layer of magic, making the entire production feel like a dream come to life. I have seen the 4th national touring production a few times and as great as the cast members were, the magic just doesn't transfer to most theatres in spite of the impressive set.
The cast brought their A-game too. Each character was portrayed with such detail, including little tics that cat owners would notice as part of normal behavior for their own feline friends. Jennyanydots, played by Rose McGuire, was hysterical, as was Bradford Minkoff in the role of Rum Tum Tugger. Mister Mistoffelees was performed by an incredibly graceful dancer from Japan named Gen Horiuchi. I was not one to enjoy dancing, especially ballet-like moves, but Mr. Horiuchi was so mesmerizing that he is the reason I began to appreciate different styles of dance. Roger Kachel and the adorable Kristi Lynes brought a lot of comic relief to the show as Mungojerrie and Rumpleteazer. Munkustrap, played by Bryan Batt, was the kitty I would have chosen to adopt and take home. Batt was the sort of leading man whose velvety voice could fit into any leading role. As much as I loved everyone I saw in the cast, there was another who could have just walked on stage, sang her song, and called it a night. Laurie Beechman, who played Grizabella, delivered a truly unforgettable performance. Her rendition of "Memory" was nothing short of haunting, filled with raw emotion that left the audience in awe. Her powerful voice is most likely echoing in the rafters of the Winter Garden Theatre to this day. Laurie Beechman's expressive acting made her a standout among a talented cast. I've seen several ladies perform the role of Grizabella, all very talented, but Laurie Beechman seemed to tap into the character to the point where everyone could sense something was not at all right about that cat. Pain, longing, and loneliness are words that come to mind, but there was more to it. Years later, I read that Laurie had struggled with and battled ovarian cancer for many years and worked throughout her treatment despite her pain. I had the luck of meeting her in 1993 and loved her warm, sweet demeanor. I was 16 or 17 and sort of starstruck, but she was not having it. The moment she grabbed my hand and thanked me for my words about her performance, my nerves were gone. She signed my CD copies of her Listen To My Heart and Time Between the Time albums, both of which I treasure to this day.
The ensemble numbers were packed with energy, showcasing the incredible talent of the dancers and singers. It was clear that every performer was fully committed to their role, creating a vibrant and immersive world on stage. In addition to the infectious music and larger-than-life set, the choreography was another highlight of the show. Gillian Lynne's dance sequences were both intricate and fluid, perfectly capturing the feline grace and agility of the characters. The dancers moved effortlessly across the stage, their movements synchronized with the pulsating rhythm of the music. Each dance number was a visual feast, adding depth and dynamism to the storytelling. By the end of the show, I was in tears—it was beautiful and so immersive. I was there with a man I had crushed on for years, and though my focus would have been on him in any other setting, I basically ignored him for two hours. But the second we exited the Winter Garden, there I was, with Tom and our memories of seeing Cats. After leaving the show, I had to have the cast album and acquired both the London and Broadway recordings. Comparing the live show to the cast recording, there were some noticeable differences in the orchestrations. The live performance had a richer, more immersive sound, with the orchestra bringing a dynamic range that you just can't capture in a recording. The music felt more alive, responding to the energy of the performers and the audience. While the cast recording is a wonderful way to relive the show, nothing compares to the experience of seeing Cats live on stage, where every note, movement, and emotion come together to create an unforgettable theatrical experience.
If you’re interested in the music of Cats, I highly recommend the 1985 Australian Cast Recording. It’s the most extensive of all the English-language cast albums and reflects many of the changes made after the show had been running for a few years in New York. Debra Byrne’s Grizabella is stellar. The Broadway cast album is also great, especially with Betty Buckley's powerful rendition of "Memory," though the show did change slightly after the album was recorded. The London Cast Recording, while nice for a 42-year-old album, feels more like a concept album at this point. However, Elaine Paige's rendition of "Memory" is iconic, and hearing Sarah Brightman as Jemima is kinda awesome. The film soundtrack, much like the film itself, is not recommended.
This week's GLOWING Saturday Spotlight is all about Tulsa, played by Jody Haselbarth. This blog entry was a special collaboration with Jody Haselbarth. A big THANK YOU to Tulsa! Not only did she help co-write this piece, but she also shared some fantastic photos from her rodeo days. Enjoy the trip down memory lane!
Jody as Tulsa
This week's GLOWING Saturday Spotlight is all about Tulsa, played by Jody Haselbarth. Tulsa joined GLOW in the third season and stayed until the show's end, standing out with her cowgirl persona, charming Southern accent, and a whole lot of spunk. Initially seen as a replacement for Dallas from previous seasons, Tulsa carved out her own niche as the Yellow Rose of GLOW. She was one of the "country" girls, alongside Babe and Sally the Farmer's Daughters, but she truly stood on her own, especially with her authentic Texan accent. Tulsa wasn't just another pretty face; she was fearless in the ring, from surviving Beastie shoving raw meat prepped with the potty brush in her mouth during a match to Hollywood performing an iconic flying scissor takedown on her, which can be seen in the opening credits during the season 3 and 4 episodes of GLOW. Her impeccable timing and delivery during skits, as well as her fun raps, made her an even more memorable character. Tulsa connected with the audience, winning their hearts whether she was trash-talking her opponents or performing high-flying moves.
When Matt Cimber was considering her character, Jody told him that all she knew how to be was a cowgirl and that since Dallas left, GLOW needed another one. He actually listened, something he rarely did. Jody was a real rodeo cowgirl; barrel racing, break-away calf roping, and goat tying. She even rode bulls and bareback broncs in all-girl rodeos. Jody said she was horrified that Matt gave her the name Tulsa because it is north of the Red River and because she is a native Texan. Later, her momma told her that she lived in Oklahoma when she was a little girl, so that made everything alright. I loved hearing her say that because my own mom was from Tulsa, Oklahoma, and lived many years in Texas. In her words, "Our sweet mommas are both OK and TX, what a great combination!" Her ring entrance with a lasso became iconic, and though her fans would have loved to see her use it in the ring, she was a clean fighter who earned her victories fairly. She embodied the spirit of a true rodeo cowgirl because she WAS one. Although she wasn’t allowed to use her lasso in the ring (it was considered a weapon), she wouldn’t rope a person anyway since it is a real calf rope that she used in break-away calf roping. She made an exception for Beastie because she considered her livestock.
After the television series was canceled, Jody Haselbarth continued to wrestle as Tulsa independently and was lucky enough to work around the world, wrestling in Malaysia, Hong Kong, Jordan, Panama, England, Japan, and several tours to Hawaii with other ladies of GLOW such as Hollywood, Lightning, Mt. Fiji, Dementia, Tiffany, Dallas, Beastie, and a few others. Officially, Jody made one final televised GLOW appearance as Tulsa, wrestling Hollywood during the 1993 GLOW pay-per-view event. But that wasn't the last we saw of Jody. She went on to become a much sought-after stunt performer, known for her work in movies like Transformers: Age of Extinction, Arlington Road, and Idiocracy. She's also appeared in other popular films and TV shows, proving her versatility and dedication to her craft. Some of her best stunts were in The Texas Chainsaw Massacre as Renee Zellweger’s stunt double and Matthew McConaughey set her on fire. Jody's work has earned her recognition and respect among her peers in the entertainment industry. She's an absolute sweetheart and super fan-friendly, a rare quality among the "Good Girls" from GLOW. Jody is active on Facebook, and along with many of the other ladies of the original GLOW series, she proudly carries the torch, dedicated to preserving the legacy of Tulsa and GLOW for the fans.
Tulsa’s legacy in GLOW is a testament to the impact Jody had on fans and the world of women’s wrestling. Whether you're a long-time fan or discovering GLOW for the first time, Tulsa’s matches are definitely worth revisiting. They capture the essence of what made GLOW such a groundbreaking and entertaining show.
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