My Obsession with Samantha Fox's 1987 Album: A Nostalgic Dive

Okay, let's get real for a second. Remember that moment when a song just totally grabbed you, and you knew, just knew, you had to have the whole album? That was me with Samantha Fox and her 1987 self-titled album. It wasn't just about "Touch Me" anymore; this was a whole new level of musical infatuation. I first got a taste of Samantha Fox when “Touch Me” was playing almost nonstop on Q-100 and fell in love with her, but her second album? That's where the real obsession began. When Jive Records dropped it in July 1987, things changed for me. This album wasn't just a collection of songs; it was a time capsule, a memory bank and honestly, a huge part of my young life.

This album made waves, too. It hit No. 22 in the UK, No. 51 in the US, No. 41 in Canada, No. 86 in Australia, and No. 16 in Germany. That's a pretty big deal! But for me, it wasn't about the charts. It was about the feeling.

I distinctly recall the days at daycamp when I would find myself at Skateland with my friend Jenny Reeves. I would request the song be played a few times during skating sessions and we’d belt out “Naughty Girls” at the top of our lungs, mostly off-key, but who cared? We were just kids, around 12 or 13 and that song was an anthem in the soundtrack of my life for a while. Every trip to the store turned into a mission. I’d beg my parents for the tape because I needed to hear all those songs that radio wasn’t playing. My friend Stig, bless his soul, gifted me a copy that he intended to sell at school or his flea market side hustle. Little did I know that the album version was different from the extended version they played at the skating rink, which sent me on another quest!

I remember spending countless hours in my room, playing that tape, trying to drift off to sleep. I’ve always struggled with insomnia and music has always been my go-to in hours of need. It cleared my head and sometimes, the songs would spin into these elaborate dreams, way cooler than any music video on MTV. I still wonder, was I the only one who experienced that? Anyway, I adored every single track. Over the years, remastered and expanded versions of the album have been released. Of course, I snagged them all, but nothing beats the original for me.

After the success of her first album, Touch Me (1986), Samantha Fox jumped back into the studio. Her label was worried, apparently, that the second album didn’t have any hits. So, they got Stock Aitken Waterman to write “Nothing’s Gonna Stop Me Now.” That definitely helped! But Full Force, who were working with Lisa Lisa then, also gave her a major hit with “Naughty Girls (Need Love Too).” The album also had other solid singles like “I Surrender (To the Spirit of the Night),” “I Promise You (Get Ready),” and “True Devotion.”

There's also this interesting tidbit about Jim Lea and Noddy Holder from Slade writing “Shooting Me Down” for the album. Jive wanted them to, and they made a demo, but Samantha didn't get to record it due to time constraints.

Track Listing Deep Dive: Let's Get Real About These Gems!

• "I Surrender (To the Spirit of the Night)" - 3:56: Okay, confession time, this was and still is the one for me. Seriously, why didn't this get more airtime? Pure magic!
• "I Promise You" - 3:54: Such a sweet track. Still holds up!
• "Naughty Girls" - 5:10: Ah, yes! The song that sealed my fate. Totally head over heels after this one. It is also THE big one from the album.
• "True Devotion" - 4:37: Ballad alert! And not just any ballad. This one hits deep. Seriously, Cars "Drive" vibes, anyone?
• "(I Can't Get No) Satisfaction" - 5:36: A bold cover! Gotta respect the guts.
• "Nothing's Gonna Stop Me Now" - 3:43: You know you sang along.
• "If Music Be the Food of Love" - 4:49: Such a lovely, dreamy track. Perfect for zoning out.
• "That Sensation" - 4:19: This one's got that undeniable 80s energy. Can't help but move!
• "Dream City" - 4:55: Takes me to another world. Just close your eyes and drift.
• "The Best Is Yet to Come" - 4:50: Ending on a high note! Optimistic and catchy.

So, that's my deep dive into Samantha Fox's 1987 album. It's more than just music; it's a snapshot of my childhood, a collection of memories and a reminder of simpler times. I'm curious, did anyone else have that one album that just stuck with them? Any Samantha Fox fans out there who remember those days? Share your stories in the comments below! I always love hearing from fellow music enthusiasts and nostalgia buffs. Your thoughts and memories really make these discussions so much fun. If you've enjoyed reading about my musical journey, and feel inclined to show your appreciation in any way, feel free to get in touch! It’s all about sharing the love of music, right?

Lost in the Blue: My 80s Debbie Gibson Obsession (A Deep Dive)

Hey everyone! Let's take a vibrant trip back to the late 80s. Picture this: huge hair, neon EVERYTHING and the sound of infectious pop music filling the air. For me, one album perfectly encapsulates that era: Debbie Gibson's "Out of the Blue." Today, let's dive deep into this iconic record. I remember wanting this album with every fiber of my being. My mom, bless her heart, suggested taping it off the radio. But you guys get it, right? Radio only plays singles! I needed the whole experience: the artwork, the hidden gems and being able to hit play whenever I wanted.

My journey began with Debbie Gibson's "Only In My Dreams" video on VH1. What was super intriguing was that when they showed the video, there was no album title displayed! It was like a mystery I needed to solve. "Out of the Blue" officially dropped on August 18, 1987, but I didn't get my hands on a copy until my friend "Stig" shared a dubbed cassette a year later. Even then, the music still felt fresh and amazing. Over the years, I have purchased the album on cassette, CD as well as vinyl.

So, let's explore the musical landscape of "Out of the Blue." All tracks were written by the incredibly talented Deborah Gibson, showcasing her songwriting prowess at a young age.

Side A: The album kicks off with the title track, "Out of the Blue"—an energetic anthem that sets the tone with its catchy melody and optimistic lyrics. It's about stepping out and embracing new opportunities. "Staying Together" follows, a slightly more mature tune exploring the complexities of relationships. Then comes "Only in My Dreams," the breakout hit, a dreamy, synth-driven track about infatuation and fantasy. "Foolish Beat" slows things down with a heartfelt ballad that displays Gibson's vocal range and emotional depth. It's a song about heartbreak and regret, something many young listeners could relate to. Finally, "Red Hot" brings the energy back up with a danceable track.

Side B: "Wake Up to Love" starts the second half with a burst of positivity and encouragement, urging listeners to find and embrace love. "Shake Your Love" continues the upbeat vibe with a strong dance-pop rhythm, perfect for the roller rink or bedroom dance parties. "Fallen Angel" adds a bit of a dramatic edge, telling a story of someone who's lost their way. "Play the Field" is another fun, energetic track with playful lyrics about love and relationships. The album concludes with "Between the Lines," a reflective song about understanding and communication, showing a more thoughtful side to Gibson's songwriting.

Clocking in at just over 40 minutes, "Out of the Blue" was an album I could listen to endlessly—and trust me, I did. I'd often fall into a listening rabbit hole, getting lost in the music. Fun fact: some of these tracks even inspired moments in my debut book, "Under The Lifeguard's Watch." One of my main characters is a huge pop music fan and Debbie's album is one of his favorites—he clearly has great taste. When "Electric Youth" came out, it was massive, but thanks to my friend Charlie Thayer for the cassette hookup of that second album, I still always came back to "Out of the Blue." It's just got that special something.

What are YOUR favorite 80s albums? What memories do they bring back? Share your thoughts in the comments below! And if you enjoyed this nostalgic journey and want to support more of my writing and deep dives, well, any little bit helps keep the music playing. 😉 Thanks for reading, and keep the 80s spirit alive! 🤘

You can also find me on the following social media platforms:
https://www.facebook.com/adrianduarte
https://bsky.app/profile/adriansknitwits.bsky.social
https://www.instagram.com/adriansknitwits
https://www.threads.net/adriansknitwits

Madonna's 'Erotica': A Personal Journey Through Bold Sounds and Boundaries

October 1992. The air crackled with a certain…audacity. Madonna, ever the provocateur, dropped Erotica, not just an album, but a seismic event in pop culture. It was raw, sensual and unapologetically in your face – everything you expected from the Material Girl, amplified tenfold. But for me, Erotica's arrival wasn't just background noise to the zeitgeist; it became deeply interwoven with a pivotal chapter of my own story, a time when I was picking up pieces and daring to forge a new path.

Picture this: I'd just fled the chaotic energy of New York City, seeking refuge in my mom's Florida home. A recent traumatic experience while hustling had left me needing some recovery time and I was desperately trying to find my footing. Then, Erotica hit the scene. The buzz was inescapable, even in the relative quiet of Pace, Florida, at least on TV. Despite my precarious situation, a magnetic pull drew me towards this sonic exploration of desire and freedom.

So, I did what any self-respecting Madonna fan would do: I implored my mama to take me to the mall in Pensacola, I didn’t care if it was University or Cordova Mall. My mission? To snag both the Erotica album and the infamous Sex book, its visual companion released the very next day. Her reaction was swift and decisive. A resounding "absolutely not!" echoed through the Florida air. "You don't need to be listening to that hussy anymore," she declared, convinced I needed a serious life overhaul. Oh, the irony! Little did she know, as she lectured me about righteous living, I was already hatching my escape plan back to the very city she thought was one of my downfalls, Erotica fueling my rebellious spirit.

Erotica, Madonna's fifth studio offering, landed courtesy of her own Maverick Records, distributed by Warner Bros. This wasn't the bubblegum pop of the past; this was a deliberate plunge into the realms of sexuality, power dynamics and self-determination. Madonna, ever the captain of her ship, co-produced the album alongside the masterful Shep Pettibone, a name synonymous with the vibrant house music scene and André Betts, who brought his distinct hip-hop sensibilities to the mix.

The album pulsed with a diverse sonic palette. The hypnotic, spoken-word delivery of the title track, "Erotica," immediately established the album's provocative intent. Tracks like the shimmering, disco-infused "Deeper and Deeper" invited you to lose yourself on the dance floor, while "Fever" reimagined Peggy Lee's sultry classic with a distinctly modern, steamy edge. Amidst the boldness, "Bad Girl" offered a surprising moment of vulnerability, a melancholic ballad showcasing a different facet of Madonna's artistry. Then there was "Rain," a softer, more introspective track that provided a brief respite from the album's otherwise assertive energy.Interestingly, Erotica was released in two distinct versions: the standard, unadulterated experience and a "clean" version, carefully sanitized for more sensitive ears. In a twist of fate, I initially ended up with the censored cassette tape from a Walmart in Milton, a purchase I paired with the high-energy compilation Red Hot & Dance. I was officially hooked. However, upon my triumphant return to New York in November '92, that clean cassette stayed behind in my mama’s house, to remind her when she found it that her word was not final. Drawn by the allure of the unfiltered experience, I stumbled upon a street vendor peddling what looked like the real deal – the parental advisory version. Sadly, this turned out to be a poorly produced bootleg, the sound muddy and the photocopied artwork a pale imitation of the original. Both that and a dodgy Mariah Carey MTV Unplugged cassette quickly found their way into the trash leading me to a pilgrimage to the hallowed halls of Tower Records rectified the situation and I proudly walked out with a genuine copy of Erotica, the sonic landscape clear and vibrant. I even picked up the Sex book, though truth be told, despite my profession at the time, I found the explicit imagery less compelling than the accompanying CD, which featured remixes of the "Erotica" title track.

The concept behind Erotica was inextricably linked to the Sex book. This wasn't just a marketing ploy; it was a deliberate artistic statement. Madonna, alongside visionary photographers Steven Meisel and Fabien Baron, crafted a visual and textual exploration of sexuality, challenging societal norms and sparking fiery debates about censorship, art and morality. The album served as the sonic backdrop to this visual narrative, each track a different facet of desire, liberation, and the complexities of human connection.

Madonna's intention was crystal clear: to provoke thought, to shatter taboos and to reclaim female sexuality on her own terms. Erotica wasn't just about the act of sex; it was about the power dynamics, the vulnerability and the sheer freedom of embracing one's desires. It was a bold, audacious move that inevitably drew both fervent admiration and fierce criticism. Yet, in its defiance, Erotica solidified Madonna's position as an artist unafraid to push boundaries and ignite conversations that others dared not touch.

Back in the electric hum of New York City, Erotica was inescapable. It permeated the very fabric of the nightlife. You couldn't step into legendary haunts like Julius' or the gritty charm of the Ninth Circle without the pulsating beats of "Deeper and Deeper" or the sultry whispers of "Fever" filling the air. I happily fed countless dollar bills into their jukeboxes, those tracks becoming my soundtrack to my nights out, a defiant anthem to my independence.

One particularly surreal moment involved a glimpse into the making of the "Bad Girl" music video. Some scenes were being filmed at a diner in the city and witnessing the controlled chaos of a film set, even from a distance, felt like a brush with pop culture magic and Madonna herself. Erotica wasn't just an album I listened to; it was an immersive experience, a cultural touchstone that defined a specific moment in my life, a bold soundtrack to my own personal revolution.

Decades later, Madonna's Erotica remains a potent and influential work, a testament to her fearless artistry and her uncanny ability to challenge conventions. But now, I turn the mic over to you. What's your story with this iconic album? Did it soundtrack a particular moment in your life? Did it spark a feeling, a memory, or perhaps even a moment of self-discovery?

I'd absolutely love to hear your experiences. Dive into the comments below and share your thoughts, whether you've been a fan since '92 or are just discovering its power. Your voice adds to the richness of this conversation. And if this journey down memory lane resonated with you, your support would mean the world. Whether it's as simple as sharing this post, leaving a thoughtful comment, or contributing in any way that feels meaningful to you, it helps keep these stories alive and the music playing. Together, we can continue to celebrate the art that shapes our lives.

You can also find me on the following social media platforms:
https://www.facebook.com/adrianduarte
https://bsky.app/profile/adriansknitwits.bsky.social
https://www.instagram.com/adriansknitwits
https://www.threads.net/adriansknitwits

Hormonally Yours: The Legacy of Shakespears Sister's Groundbreaking Album, A Masterpiece That Stays With You

Some albums define a moment in your life. Others transcend it, weaving themselves into the fabric of your experiences and becoming a cornerstone of who you are. For me, Shakespears Sister's Hormonally Yours is both—a timeless masterpiece that has followed me through countless adventures and personal milestones.

I first stumbled across Shakespears Sister in July of 1992 while browsing at Camelot Music in Lenox Mall. "Stay" was playing in the store and I remember being completely captivated by its unique blend of haunting beauty and theatrical drama. Marcella Detroit’s stunning soprano paired with Siobhan Fahey’s sultry, gothic growl was unlike anything I had ever heard. Intrigued, I purchased the cassette single, which was backed by "Catwoman" and quickly fell in love. Little did I know that this single would become a doorway to something much larger.

Before I left Atlanta that summer, the roommate of one of my hustler friends made a copy of his Hormonally Yours cassette for me. That tape was a prized possession and a partial soundtrack to an unforgettable road trip. Andrew Wilder and I piled into "his" white convertible Chrysler LeBaron and headed for New York. The album blasted as we sang along to every track, the wind whipping through the open car. It wasn’t until we were a few hundred miles from New York that I found out the car was stolen—a revelation that added another layer of chaos and excitement to the journey. That wild trip is a story I've told many times and will be sharing in my book, but Hormonally Yours fit perfectly as a partial backdrop.

Fast forward a couple of years and my boyfriend at the time, Richie, rekindled my love for the album. Richie was obsessed with anything alternative and goth and while I never fully categorized Shakespears Sister in either of those genres, their music certainly carried that moody edge he adored. His enthusiasm pulled me deeper into the album, taking me beyond casual listening into a full-on appreciation for every lyric, harmony and production choice. Richie also had a VHS tape of their music videos, which we watched over and over again. Even now, I occasionally pull up the videos on YouTube and they transport me back to those moments of shared admiration for the artistry of Siobhan and Marcella.
But this album hasn’t just stayed as a memory; it’s been part of my personal expression, too. Over the years, I’ve sung "Stay" at auditions for The Voice and America’s Got Talent, pouring everything into every note to channel its emotional intensity. When I was still on top of my vocal game, both parts sat comfortably in my range. The song has always held a special place at the top of my favorites, a timeless masterpiece that resonates deeply with me—both whenever I performed it and even now, each time I hear it.

Released on February 17, 1992, under London Records, Hormonally Yours was the product of the creative genius of Siobhan Fahey and Marcella Detroit. Produced by the duo themselves, alongside Alan Moulder and Chris Thomas, the album pushed boundaries with its adventurous blend of pop, goth and rock. Songwriting credits include Fahey, Detroit, and contributors like Ed Shearmur and Jean Guiot.
The impact of the album wasn’t just sonic—it was visual as well. The music videos, particularly for tracks like "Stay" and "I Don’t Care" were theatrical and unforgettable, amplifying the drama and artistry of the songs.

The lead single, "Goodbye Cruel World," was released ahead of the album but failed to make a commercial splash. Its upbeat, campy production—complete with irresistible “ooh la la la” harmonies—contrasts delightfully with its melancholic lyrics, making it a hidden gem. Then came "Stay" released in the UK on January 13, 1992 and in the US on April 21, 1992. This iconic single redefined Shakespears Sister’s legacy. From Marcella’s emotional verses to Siobhan’s haunting delivery, "Stay" is a pop masterpiece. It spent a record-breaking eight weeks at number one in the UK and remains the duo’s most iconic track. Other singles like "I Don’t Care" with its fiery opening scream and the poignant ballad "Hello (Turn Your Radio On)" rounded out the album’s commercial success, each showcasing a different facet of the duo’s versatility.

Beyond the singles, the album is full of standout moments. "Black Sky" takes on a darker, experimental tone, with Marcella’s opera-like, backward-sung vocals adding an eerie brilliance. "The Trouble With Andre" pairs Siobhan’s sultry vocals with an atmospheric production that feels delightfully moody.
"Moonchild" offers a calmer, soothing sound, its introspective lyrics contrasting with the epic swells of its chorus. "Catwoman" with its T-Rex-inspired quirkiness is a fun and eccentric addition. Even "My 16th Apology" with its reggae-inspired melody and "Let Me Entertain You" the album’s least exciting track, contribute to the album’s eclectic charm. The closing ballad, "Hello (Turn Your Radio On)," is a poignant plea for connection. Siobhan’s emotive delivery, paired with Marcella’s harmonies, brings the album to a hauntingly beautiful conclusion.

From its original release on cassette and CD to its digital availability, vinyl pressings and expanded special editions, Hormonally Yours has been preserved across generations of music formats. The CD I’ve treasured since 1994 has traveled with me from Florida to Alabama and countless other places—including Kentucky, New York, Las Vegas, Bochum and Atlanta. It’s comforting to know that this masterpiece continues to be accessible to fans both old and new.

For me, Hormonally Yours isn’t just an album—it’s a journey, a connection to moments that have shaped me and a source of inspiration that continues to give. Its bold mix of sounds, clever lyrics and emotional depth make it an enduring classic that still makes the hair on the back of my neck stand up at times.

What about you? Have you listened to Hormonally Yours? Does it hold a special place in your heart like it does in mine? I’d love to hear your thoughts—drop a comment below and let’s celebrate this incredible album together! And if you’d like to show some love for this blog or support my work, any token of appreciation would mean the world to me. Thank you for coming along on this musical journey!

You can also find me on the following social media platforms:
https://www.facebook.com/adrianduarte
https://bsky.app/profile/adriansknitwits.bsky.social
https://www.instagram.com/adriansknitwits
https://www.threads.net/adriansknitwits

Whitney Houston's "Whitney" Album: An Eternal Pop Masterpiece

There are no perfect words to describe Whitney Houston's voice. She possessed an extraordinary ability to bring life to songs in a way that no one else could. Whitney's voice was a treasure, and her beauty, grace, and class made her an unparalleled artist. Her effortless, smooth riffs and sophisticated elegance made her a true icon.

Released on June 1, 1987, "Whitney" is one of the best-selling albums of all time, with over 20 million copies sold worldwide. This album marked the beginning of her incredible rise, debuting at number one on the US Billboard Top 200 Album Chart and staying at the top for a record 11 consecutive weeks. It features five top-10 hits on the US Billboard Hot 100, including four number-one singles.

When I first saw the "I Wanna Dance With Somebody" video, I was captivated by its infectious and colorful energy. I knew I had to own the album. My dad bought me the 45 singles of "I Wanna Dance With Somebody" and "So Emotional," and I still have the 12-inch single of "I Wanna Dance With Somebody" to this day. When my friend Stig added the cassette to his "stock" at his little flea market business, I acquired the cassette tape from my friend and fell in loved with the rest of the tunes I'd not heard on the singles I had, or the radio. Now, I cherish my CD, digital versions, and the remixed tracks of So Emotional and I Wanna Dance WIth Somebody, all of which are loaded on my phone. When I discovered it was re-released on vinyl, I couldn't resist and bought it with a gift card I received for my birthday a few years ago.

The recording process of "Whitney" was a meticulous endeavor, involving top-notch producers and musicians. The album showcases a blend of ballads and dance-pop tracks, featuring unique instruments that added depth and richness to the songs. Synthesizers, drum machines, and electric guitars were used to create a sound that was both contemporary and timeless.

The album's artwork is a reflection of Whitney's playful side while still retaining that look of elegance and sophistication we fell in love with. The cover features a striking image of Whitney, exuding confidence and grace. Her radiant smile and captivating presence make the album visually as well as musically stunning.

Each track on the "Whitney" album is a testament to her incredible talent. The standout tracks include "I Wanna Dance With Somebody," "So Emotional," "Where Do Broken Hearts Go," and "Didn't We Almost Have It All." These songs not only showcase her vocal versatility but also her ability to connect with listeners on an emotional level.

How does one do justice to a review of a classic Whitney album? It simply can't be done. Whitney and her voice speak for themselves. She is irreplaceable, and her music is timeless. We all miss her shining spirit and hope that wherever she is, she knows that we loved her in body and in spirit.

If you've had the joy of experiencing this album, I'd love to hear your thoughts and memories in the comments below. And if you feel inspired, any contributions or gifts are always appreciated but never expected. Let's keep the spirit of Whitney alive together.

You can also find me on the following social media platforms:
https://www.facebook.com/adrianduarte
https://bsky.app/profile/adriansknitwits.bsky.social
https://www.instagram.com/adriansknitwits
https://www.threads.net/adriansknitwits

Rediscovering ABBA: A Personal Journey Through 1992

ABBA Gold Greatest Hits

Imagine this: it's 1992, a year filled with new experiences, adventures, and the magic of discovering music that speaks to the soul. For me, this was the year I truly fell in love with ABBA, all thanks to Erasure's tribute EP, ABBA-esque. This four-track homage brought the timeless melodies of the iconic Swedish pop group to a new generation and set the stage for the release of ABBA Gold: Greatest Hits, an album that would become one of my all-time favorites.

Growing up, I didn't know much about ABBA. My musical knowledge was limited, but I was a huge fan of the musical "Chess," written by Bjorn, Benny, and Tim Rice. My understanding of "Chess" far exceeded what I knew of ABBA. Everything changed when I bought a copy of Erasure’s ABBA-esque thanks to hearing the tunes countless times in the clubs, bars and in random stores. The cashier at the Sam Goody in the A&S Plaza, now Manhattan Mall, suggested I also check out the new ABBA greatest hits album called ABBA Gold. Without hesitation, I added it to my purchase, and it was one of the best decisions I ever made.

ABBA Gold is a 19-song collection that marked the first comprehensive greatest hits compilation featuring the 1970s supergroup after years of their music being off the market. Released by Polar Music in 1992, the album brought together some of ABBA's most beloved songs, offering both hardcore fans and casual listeners a straightforward collection of the group's most popular tunes. Produced by Michael B. Tretow, who worked with ABBA throughout their career, the sound quality and arrangements remained true to the original recordings.

From the infectious beat of "Dancing Queen" to the heart-wrenching "Knowing Me, Knowing You," each track on ABBA Gold tells a unique story. I remember the thrill of hearing "Take a Chance on Me" and "Mamma Mia," songs that encapsulated the essence of ABBA. "Lay All Your Love on Me" and "Super Trouper" quickly became personal favorites, each song evoking emotions and memories that I cherish to this day.

ABBA Gold stands out as one of the few albums from the 1970s and '80s that doesn't show its age. The fresh sound, innovative production, and unforgettable melodies make it timeless. The album's track listing includes hits like "I Have a Dream," "The Winner Takes It All," and "Money, Money, Money," each song contributing to the album's enduring appeal.

The release of ABBA Gold in 1992 was followed by More ABBA Gold: More ABBA Hits in 1993, featuring additional tracks like "Summer Night City" and "The Day Before You Came." Both collections were a welcome addition to ABBA's catalog of brilliant albums. Since then, ABBA Gold has been re-released several times, ensuring that new generations of listeners can experience ABBA's music in the best possible quality.

As for my personal favorites from ABBA Gold, I’d have to say "Take a Chance on Me," "Knowing Me, Knowing You," "Voulez-Vous," "Does Your Mother Know," and "Lay All Your Love on Me" are the standouts. Each song showcases the unique blend of catchy melodies, heartfelt lyrics, and impeccable production that made ABBA a global sensation.

What about you? Do you have any favorite ABBA songs or memories associated with their music? Have you listened to ABBA Gold or More ABBA Gold? I'd love to hear your thoughts and experiences in the comments below!

Music has the power to bring us together and create lasting memories. If this story resonated with you and you'd like to support my journey in sharing more personal musical memories, your contributions would be greatly appreciated. Let's continue celebrating the music that shapes our lives! 🎶✨

Jonathan Frank's "Sleeping in the Arms of Love" Album Review

Jonathan Frank, Sleeping in the Arms of Love

Jonathan Frank's "Sleeping in the Arms of Love," released in 2000, is a captivating blend of pop and cabaret, perfect for cozy evenings. The album features Frank's smooth vocals accompanied by a 23-piece orchestra, creating a rich and lush soundscape. With contributions from some of Los Angeles and New York's finest songwriters, such as Francesca Blumenthal and Amanda McBroom, the album effortlessly bridges the gap between familiar classics and fresh new compositions.

What stands out about this album is its ability to transport you to a different time and place. Frank's voice has a warm, comforting quality that makes you feel like you're wrapped in a cozy blanket. The orchestration is top-notch, adding depth and emotion to each song. Whether it's a lively tune or a slow ballad, Frank's delivery is consistently engaging and heartfelt from start to finish.

Overall, "Sleeping in the Arms of Love" is an underrated hidden gem that deserves more recognition. It's the perfect listen for anyone who enjoys a mix of pop and cabaret. This album will undoubtedly leave listeners with a smile on their face and wanting more. If you're looking for something delightful and new to add to your playlist, Jonathan Frank's "Sleeping in the Arms of Love" is definitely worth a listen.

Given the fact that this album is now out of print and unavailable from anywhere but third party sellers, Jonathan has given me permission to share a digital edition of his album on my blog. I hope you enjoy this great album as much as I do.

Click Here to Download Jonathan Frank Sleeping in the Arms of Love

Much love to Jonathan. Every time I hear your voice, I can't help but smile. Very grateful for your friendship.

Buy & Save on this and other great NEW & used CD's, Records and Tape on eBay.

Album Review: "Fly" by Sarah Brightman - Soaring High with Every Track

Sarah Brightman Fly

Sarah Brightman’s "Fly" album is a magical ride from start to finish. I was a huge fan of Brightman’s previous album “Dive” which featured covers and tunes written or co-written by Frank Peterson of Enigma fame. Released in 1995 and subsequently released a year later featuring the duet “Time To Say Goodbye,” this album blends pop, classical, and electronic sounds in a way that only Brightman can. It kicks off slow with the title track and gradually builds. My favorite from the album for years was the track "A Question of Honour," a powerful track that mixes opera and dance music seamlessly. The song builds up with intense energy, setting the tone for the rest of the album.

"Ghost in the Machinery," a hauntingly beautiful track with a catchy beat. "You Take My Breath Away" follows, showcasing Brightman’s ethereal voice perfectly. Each song on the album has its own unique vibe—like "Something in the Air," which features Tom Jones and has a fun, retro feel to it. "Heaven Is Here" is another standout, with its dreamy melodies and soothing vocals.

The album doesn’t shy away from emotional depth, either. "How Can Heaven Love Me" is a duet with Chris Thompson that’s both powerful and heartfelt. The album wraps up with a reprise version of "Fly," a tender and touching conclusion to this musical journey.

Fly was also re-released for Brightman's La Luna Tour featuring a bonus disc known as Fly II and again in 2006 as an expanded single disc featuring tracks from Fly II as bonus tracks.

Overall, "Fly" showcases Sarah Brightman’s versatility as an artist. Whether she’s belting out high notes or singing softly, her voice is captivating. Each track brings something different to the table, making this album a must-listen for both old fans and new listeners alike.

Buy & Save on this and other great used & NEW CD's, Tapes & Records on eBay

Debra Dejean: A Disco Diva's Journey

Debra Dejean's self titled album cover

Debra Dejean might not be a household name today, but back in the early 80s, she was a disco queen with a flair for catchy dance tracks. Born in New Orleans and raised in Memphis, Dejean made a splash with her debut album "Debra Dejean" in 1981. Her biggest hits, "Goosebumps" and "Are You Lovin' Somebody," climbed the Billboard Hot Dance Club Play chart, making her a staple in the dance clubs of the time. Her music had that perfect mix of infectious beats and soulful vocals that got people moving.

When it came to live shows, Debra Dejean knew how to work the stage. Her performances were all about high energy and connecting with the crowd. Whether she was belting out "Goosebumps" or getting the audience to sing along to "Are You Lovin' Somebody," Dejean had a way of making every show feel personal and electrifying. Fans loved her for her charisma and the way she could bring her disco anthems to life.

Her record, though short-lived, left a lasting impression on the disco scene. The album received positive reviews for its vibrant energy and Dejean's soulful delivery. Critics praised her for bringing a fresh yet authentic sound to the genre, with her unique voice and danceable beats creating a standout listening experience. Even though she only released one album, her impact on the dance music genre was significant. Dejean passed away in 2015, but her music continues to be celebrated by disco enthusiasts and those who appreciate a good dance track.

Buy & Save on this and other great used & NEW records, tapes and CDs on eBay.

Record Stores a re-worked memory

Years ago, I posted a blog regarding my love for record stores. I revisited it and while I feel it's still relevant to my life, I figured I would write a new post about the subject from a fresh perspective.

Sam Goody Store "Goody Got It"

Oh, the golden age of record stores! 🎵 I would do anything to return to the hallowed aisles filled with music—where vinyl sat in upright shelves waiting for someone to flip through, cassette tapes lining the walls and CD long boxes that stood on it's own enticing music lovers to upgrade their collections from analog to digital. Tower Records, Record Bar, Turtles, Coconuts and Peaches—they were more than stores; they were portals to sonic wonderlands.

My memories of the limited-time being able to visit a record store during my mom's infrequent pilgrimages to the mall resonate with me deeply. If I was given a chance to pick out something, the clock ticking, the pressure to choose wisely—it was like a musical scavenger hunt. My sister’s lightning-fast genre coverage is legendary! Metal, rap (or '80s rap, as it was known), pop/rock, she was a musical connoisseur on a mission. And there I was, eyeing the “M” section, hoping for a new gem by Madonna. 🎤💫

Typical Set Up of a 1980's Record Store

The decline of vinyl hit hard, but oh, that snap, crackle, and pop—it was part of the experience. My Emerson dual cassette boombox I received in the 7th grade and Emerson stereo with a turntable and single cassette player I got for Christmas in the 5th grade may have mangled my tunes, but they couldn’t dampen my enthusiasm for music, or creativity and ingenuity when it came to tape splicing and repair 

And let’s talk about the evolution of record stores. From a team of knowledgeable staff to today’s sparse crew, it’s a different landscape. By gone are the days when you could walk into a store and say you are looking for a song that goes something like....blah blah blah...and the sales person knows exactly what you are asking for. Now you have to be specific and even still they will ask “Who’s it by?”—ouch! But fear not, because old-timers like myself and possibly you as well as vinyl freaks can find solace in used record stores, like Fantasyland Records or Media Mania if you happen live in the Atlanta area. 🌟

There’s something irreplaceable about the feel and sound of vinyl. The warmth, the crackle, the tangible connection—it rocks worlds and spins memories. So here’s to the vinyl groove, the hidden gems, and the joy of discovering music in its physical form. 🎶✨

By the way, have you stumbled upon any rare vinyl finds lately? Or perhaps there’s a specific album that still eludes you? Let’s keep the musical conversation going! 🎧😊