A Purr-fectly Delightful Return to the Jellicle Ball! CATS: 1985 Australian Cast Recording

Ever since I first saw the Broadway production of CATS with my friend Tom back in 1992, I've been hooked. The sheer spectacle of the show, the elaborate costumes, dynamic choreography, and unforgettable music left a lasting impression on me. Over the years, I’ve collected various recordings, but none have quite captured the magic I remember from that night at the Winter Garden Theatre.

In 1996, while shopping at Footlight Records in New York, I stumbled upon the Australian cast recording of CATS. Until then, I hadn't known it even existed. This recording is, simply put, superb. Unlike the original Broadway and London cast recordings, which feel more like concept albums, this version brings me back to that 1992 performance. Despite being recorded 40 years ago, it offers a fresh yet nostalgic take on the beloved score. The sound quality is top-notch, crisp, and clear, allowing every little nuance of the performances to shine through. And let's talk about the inclusion of "The Pekes and the Pollicles" and the operatic section of "Growltiger's Last Stand"—these numbers are often omitted from other recordings, so it's a real treat for any CATS fan.

I adore both Betty Buckley and Elaine Paige as Grizabella on the Broadway and London recordings, and Debbie Byrne's interpretation adds a new dimension to their already iconic versions. The cast is outstanding, from Debbie Byrne's emotionally resonant Grizabella to Grant Smith's triple threat as Bustopher Jones, Gus, and Growltiger. Each performer brings their feline character to life with distinct personality and vocal prowess. Debbie’s take reminds me a bit of the long-time Broadway Grizabella, Laurie Beechman. Oh, and Marina Prior, who played the original Christine in the Australian premiere of The Phantom of the Opera, lends her incredible vocals to this cast as well. Some may find certain interpretations, like Mungojerrie's "vaudeville" style, a bit unconventional, but I found these choices refreshing and engaging. The orchestrations are lively and dynamic, capturing the playful and mischievous spirit of the Jellicle cats.

Let's not forget other notable cast members who went on to shine in the world of musical theatre. Anita Louise Combe later starred as Cosette in the original Australian production of Les Miserables, Betty Schaefer in both the London and Toronto productions of Sunset Blvd can be heard as Sillabub on this recording, David Atkins, who played Mistoffelees, later became a renowned choreographer and director, known for his work on the Sydney 2000 Olympic Games opening and closing ceremonies. Jeff Phillips, who portrayed Rum Tum Tugger, continued to have a successful career in Australian television and theatre. Pat Piney, who played Jennyanydots, also had a distinguished career in musical theatre, performing in various productions across Australia.

This recording isn't just a nostalgic trip; it's a fantastic preservation of the evolution of CATS. It's a must-have for any fan of the musical, whether you're a seasoned theatre-goer like me or a newcomer eager to experience the magic for the first time. It’s a treasure I’ll cherish for years to come, and I highly recommend adding this gem to your collection.

Thanks for joining me on this trip down memory lane! Do you have any favorite CATS memories or thoughts on this Australian cast recording? I'd love to hear about them in the comments below. Your insights are greatly appreciated! If you enjoyed this review and would like to support my creative endeavors, any contributions would be greatly appreciated. Just know that your support means the world to me. 😊

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Review of the Jesus Christ Superstar 20th Anniversary London Cast Recording 1992

Jesus Christ Superstar 20th Anniversary London Cast Recording

The 20th Anniversary London Cast Recording of Jesus Christ Superstar is a testament to the enduring power of Andrew Lloyd Webber and Tim Rice's masterpiece. With Paul Nicholas reprising his role as Jesus, his performance is nothing short of mesmerizing. Nicholas brings an air of vulnerability and strength to the character, navigating the complex emotions of the Messiah with deft precision. His rendition of "Gethsemane" is heart-wrenching, capturing the agony and doubt that define this pivotal moment in his narrative.

The late Keith Burns, as Judas, delivers a standout performance that is both chilling and deeply sympathetic. His portrayal is nuanced, showcasing the internal conflict and desperation that drive Judas to betrayal. Burns' vocal prowess shines in "Heaven on Their Minds," where he conveys a sense of urgency and forewarning that sets the tone for the tragic arc of his character.

Claire Moore, most famously known for her portrayal of Christine in The Phantom of the Opera, as Mary Magdalene is a revelation, bringing warmth and emotional depth to her role. Her voice is both tender and powerful, particularly in "I Don't Know How to Love Him," where she captures the confusion and intensity of her feelings for Jesus. Moore's performance provides a beautiful counterbalance to the turmoil of the central male characters, grounding the production in human vulnerability and compassion.

Jeff Shankley, playing Pontius Pilate, imbues the character with a haunting ambiguity. His portrayal is both authoritative and conflicted, reflecting Pilate's struggle with the weight of his decisions. The re-written version of "Could We Start Again Please" is a poignant addition, sang between Mary and Jesus. This version brings new emotional depth, highlighting the characters' yearning for redemption and a second chance. The only negative aspect of this song is the fact that it was tacked onto the end of the recording as a bonus track.

This recording is a must-have for any musical theatre aficionado, offering fresh interpretations while honoring the original's legacy.

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