The Original Phantom of the Opera Cast Recording: A Classic with Bright Moments

If you know me even a little, you know how deeply The Phantom of the Opera has woven itself into the fabric of my life. It’s not just a musical for me; it’s a constant companion, a source of inspiration and a gateway to some of my most cherished memories. My real love for Phantom came full circle in 1992, the first time I saw the musical on Broadway. I can still picture that evening: Karen Culliver as Christine, Hugh Panaro as Raoul and the unforgettable Mark Jacoby as the Phantom. Though I did fall asleep for a few minutes in the second act, not because I was bored but because I was super sleepy. I will share that story soon.

I’ll admit, I left the Majestic Theatre that night wishing there was a cast album featuring them—but back in the day, options were limited. Unless you wanted to hear Phantom in German, Swedish, Japanese or the Canadian cast highlights, all of which I love, you were left with the iconic Original London Cast recording as the definitive version available in the U.S. And to be honest? That wasn’t such a bad thing. The main tunes on this recording is also available in a 14 track highlighted release, though Music of the Night is presented in the form of the "single" version rather than what's heard on the complete cast recording.

Throughout the years, this recording has remained a cornerstone of my Phantom obsession. In 1992, it wasn’t unusual to catch me wandering the streets of New York City, Walkman in hand, with Michael Crawford’s Phantom accompanying my every step. Fast forward to today and it’s still on rotation. I’ve got it on CD, vinyl and digitally loaded on my phone. Sure, I’ve since collected other international cast albums (because, of course I have), but this one holds a special place in my heart. So let’s dive into why this recording is such a classic.

Andrew Lloyd Webber’s score is nothing short of a powerhouse. Romantic, haunting and undeniably grand, it made dramatic organ chords cool again and gave us melodies that are impossible to forget. Sure, sharp-eared critics have pointed out a few nods to classical composers like Puccini and Debussy, but the result is uniquely Phantom.

Listening to the Original London Cast recording feels like opening a time capsule. From the moment the overture hits, you’re transported into the sweeping drama that defined a whole generation of theatre-goers. Michael Crawford as the Phantom is absolutely mesmerizing. His voice captures every layer of the character’s heartbreak and madness. Those high notes? Chilling, in the most deliciously theatrical way.

Sarah Brightman as the original Christine Daaé is a name forever tied to the show’s legacy. Many fans regard her as the best, some have changed their minds over the years and say Sierra Boggess captured that spot for them after the 25th Anniversary performance at Royal Albert Hall was released. Let me be honest here—I’m a bigger fan of Brightman’s solo albums than her Christine. Her middle range is lovely, but when she pushes into the higher registers, it can feel a bit sharp to my ears and her vibrato is a bit, well, much. That said, I have endless respect for what she achieved as the first Christine. She paved the way for the many talented women who followed, setting a benchmark for years to come. Having seen 25 (yes, 25!) Christines since, I can’t help but draw comparisons, but Brightman’s trailblazing performance deserves its place in the Phantom hall of fame.

Steve Barton’s Raoul often gets overlooked, but his performance on this recording is stellar. His “All I Ask of You” is smooth, heartfelt and everything you’d want from the role. It’s a shame that his stint as the Phantom, alongside Rebecca Luker as Christine, never got an official release—it’s the stuff of sought-after bootleg legend.

The music on this recording is a rollercoaster of emotion. “Music of the Night” is rich and hypnotic, pulling you into the Phantom’s world, while lighter moments like “Notes”/“Prima Donna” inject wit and charm into the drama. And let’s not forget the title song—it’s practically a love letter to the 1980s, with a distinct disco undertone. Honestly? That’s part of its charm. It’s a unique product of its time, and I wouldn’t have it any other way.

Ah, the quirks of the original CD release! If you bought it back in the day, you’ll remember the lack of individual track divisions. Lloyd Webber wanted listeners to experience it as one continuous piece. Admirable in theory, but not the easiest thing to navigate on a discman or the typical CD player at the time. Luckily, later editions fixed this, but there’s a certain nostalgia in remembering those fast-forward-and-rewind days.

Despite its dated elements and quirks, the Original London Cast recording of The Phantom of the Opera remains a classic. Michael Crawford’s Phantom is iconic, Sarah Brightman’s Christine set the stage for generations of performers and Steve Barton’s Raoul is effortlessly charming. Together, they created a recording that captures the magic of a phenomenon that’s stood the test of time.

What’s your favorite Phantom memory? Are you team Original London Cast or is there another recording that holds a special place in your heart? I’d love to hear your thoughts in the comments below! And hey, if you enjoyed this little walk down Phantom memory lane, feel free to share it, pass it along, or drop a little support to help keep these musical musings alive. Every little bit makes a difference—and it’s always appreciated. 🎭

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Album Review: "Fly" by Sarah Brightman - Soaring High with Every Track

Sarah Brightman Fly

Sarah Brightman’s "Fly" album is a magical ride from start to finish. I was a huge fan of Brightman’s previous album “Dive” which featured covers and tunes written or co-written by Frank Peterson of Enigma fame. Released in 1995 and subsequently released a year later featuring the duet “Time To Say Goodbye,” this album blends pop, classical, and electronic sounds in a way that only Brightman can. It kicks off slow with the title track and gradually builds. My favorite from the album for years was the track "A Question of Honour," a powerful track that mixes opera and dance music seamlessly. The song builds up with intense energy, setting the tone for the rest of the album.

"Ghost in the Machinery," a hauntingly beautiful track with a catchy beat. "You Take My Breath Away" follows, showcasing Brightman’s ethereal voice perfectly. Each song on the album has its own unique vibe—like "Something in the Air," which features Tom Jones and has a fun, retro feel to it. "Heaven Is Here" is another standout, with its dreamy melodies and soothing vocals.

The album doesn’t shy away from emotional depth, either. "How Can Heaven Love Me" is a duet with Chris Thompson that’s both powerful and heartfelt. The album wraps up with a reprise version of "Fly," a tender and touching conclusion to this musical journey.

Fly was also re-released for Brightman's La Luna Tour featuring a bonus disc known as Fly II and again in 2006 as an expanded single disc featuring tracks from Fly II as bonus tracks.

Overall, "Fly" showcases Sarah Brightman’s versatility as an artist. Whether she’s belting out high notes or singing softly, her voice is captivating. Each track brings something different to the table, making this album a must-listen for both old fans and new listeners alike.

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Cast Album Review Song & Dance Original Broadway Cast, 1985 (RCA) starring Bernadette Peters

Song and Dance Original Broadway Cast Recording Cover

Back in 1985, there was a lot of buzz around New York for the new Bernadette Peters show, "Song & Dance." Unfortunately, Andrew Lloyd Webber's "Song & Dance" didn't get much attention in the United States outside of New York. It was already a hit in London, originally starring Marti Webb and eventually Liz Robertson, Lulu, and then Sarah Brightman. This recording preserves only "The Songs" of "Song & Dance," essentially known as "Tell Me On A Sunday," omitting act 2, "Dance," which is set to the instrumental music known as "Variations." The producers felt that New York audiences wouldn't connect with the original story, so Richard Maltby, Jr. was brought in to direct the show, adapt it for American audiences, and add lyrics to new songs and revise existing ones. In this version, the character is named Emma, and it follows her involvement with four men: Chuck, Sheldon, a married man named Paul, and the significant character and star of act 2, Joe. Several tunes from the London production were replaced with new songs, like "Last Man In My Life" was swapped out for the earworm "Unexpected Song," which is possibly the greatest of the new material, highlighting Emma's love for Joe. A song from the London production, "Nothing Like You I've Ever Known," was included for some reason, even though it wasn't in the Broadway show. Thankfully, we get to hear Bernadette Peters' fine rendition of it.

Bernadette Peters' British accent is best described as somewhat natural yet studied during the speaking parts, but her singing in a British accent feels a bit of a stretch, considering Brits rarely sing in their own accent. During the recording sessions, Peters was ill and requested they wait until she was well. Despite this, she is in fine voice, and her performance feels very much like she's on stage singing to an audience throughout. The orchestrations have a somewhat dated mid-1980s vibe, but it works. My main complaint, besides act 2 not being recorded, is that the orchestra sounds metallic and small rather than the lush sound expected from a musical theatre recording. There are also issues with the way the vocals were mixed, and though the recording has supposedly been remastered, there are sections with some distortion on Peters' vocals, mostly during the belting sections.

Song & Dance Original Broadway Poster

Of the three English-language recordings of "Song & Dance" released in the 1980s—the original London cast featuring Marti Webb and the 1984 London Cast recording featuring Sarah Brightman—this one is enjoyable in tandem with the Marti Webb album. Both albums featuring Webb and Brightman include the second act. It's a shame we never got an official recording from either Betty Buckley's run on Broadway or the touring production starring Melissa Manchester, as they would have been lovely additions to the "Song & Dance" discography.

Click the link below to listen to this incredible cast recording.