The Rhythm of the Night: Reliving the Eurodance Magic with Corona

My first acquaintance with Eurodance music was when I was in New York City in the early 1990s. I instantly became a huge fan. I love disco and dance music, and to this day, despite the genre's decline at the end of the nineties, I remain a devoted fan of Eurodance as well as all dance music. One of the most memorable moments was hearing Corona's smash hit "The Rhythm of the Night" on the radio and in dance clubs. I was blown away! These tracks are some of the best dance anthems ever, alongside other Corona immortals like "Baby Baby" and "Try Me Out." The album also includes some fantastic tracks that were never released as singles. If you grew up in the nineties and remember the dance music of that era, this album is essential for your collection. It allows you to reminisce about those wonderful times and embrace the super positive energy that only Eurodance music can generate.

Corona's "The Rhythm of the Night" album, released in 1995, became an instant sensation. The album features what the producers wanted you to think were Olga De Souza's powerful vocals, bringing life to a collection of hedonistic dance tracks, more on that later.

Music Week gave the album 4 out of 5 stars, praising the title track and the follow-up single "Baby Baby," calling it a superior dance album. NME rated the album 8 out of 10, highlighting the Spagna Brothers and their collaborator F Bontempi's contribution to the collection of belting dance beats. The album is filled with energetic and danceable tunes, making it a must-have for Eurodance fans. Pop Rescue emphasized the infectious energy of the album, praising tracks like "Try Me Out" and "I Gotta Keep Dancin'." The review noted that the album is perfect for a dance party. Rate Your Music featured mixed reviews. While some users praised the 90s dance classics "Baby Baby" and "The Rhythm of the Night," others felt that the rest of the album didn't live up to the same standard. The repetitive bass beat pattern and cheesy lyrics were points of criticism. Album of The Year highlighted the nostalgic and uplifting nature of the album. Some users expressed a deep emotional connection to the title track, describing it as a song that brings joy and excitement.

Corona, led by the Brazilian model/singer Olga De Souza, became synonymous with Eurodance in the 90s. Interestingly, the actual vocals for "The Rhythm of the Night" were performed by Italian singer Giovanna Bersola (better known as Jenny B). The rest of the tracks were actually sung by Welsh Singer, Sandy Chambers. Olga De Souza served as the face of the group, appearing in music videos and performances, adding to the visual appeal of the act. The album was produced by Francesco Bontempi, also known as Lee Marrow, and the Spagna Brothers. Their collaboration resulted in a collection of tracks that are both energetic and infectious. The recording process of "The Rhythm of the Night" album involved top-notch producers and musicians. The album features a blend of synthesizers, drum machines, and electronic beats, creating a sound that was contemporary and timeless. The use of distinctive instruments and production 

The standout tracks on the album include "The Rhythm of the Night," "Try Me Out," and "I Don't Wanna Be a Star." Each song showcases the infectious energy and catchy melodies that define Eurodance music. One notable cover version on the album is "Baby Baby," which to any fans of the song, THIS is the definitive version of the song, reimagined, adding a fresh twist.

Hearing "The Rhythm of the Night" and "Baby Baby" for the first time in New York City was a game-changer for me. These songs captured my heart and further fueled my love for Eurodance music. I still believe they are some of the best dance tracks ever created. The album's super positive energy and nostalgic vibe make it a timeless classic.

"The Rhythm of the Night" by Corona is an album that continues to bring joy and excitement to fans worldwide. I'd love to hear your thoughts and memories about this album in the comments below. And if you feel inspired, any contributions or gifts are always appreciated but never expected. Let's celebrate this timeless classic together.

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Black Box Dreamland & Mixed Up

Black Box's debut album Dreamland (1990) and its follow-up Mixed Up! (1991) are iconic gems of the Italo house and Eurodance genres. This came out when I was in high school and I happened upon it in a used CD store in Pensacola and the cover drew me in. Dreamland features the unforgettable hit "Ride on Time," which became a global dancefloor anthem. The album also includes the biggest tracks of Black Box's history "Everybody Everybody" and "Strike It Up," both featuring the powerful vocals of Martha Wash, who was initially uncredited. The album was produced by Groove Groove Melody and released under RCA Records.

Mixed Up! is a remix album that builds on the success of Dreamland. It includes remixes of popular tracks like "Ride on Time" and "Everybody Everybody," offering fresh takes on these dance anthems. The album showcases the production talents of Groove Groove Melody and features additional remixes by artists like Steve "Silk" Hurley. The vocal contributions of Martha Wash remain a highlight, adding depth and energy to the remixes. This one flew under my radar until I took a stroll through Camelot Music in Lenox Mall in 1992. Realizing it was an album of remixes, this was a no brainer for me to pick up.

Both albums are essential listens for fans of house music and Eurodance, capturing the vibrant club culture of the early '90s. The combination of infectious beats, memorable hooks, and powerful vocals makes these albums timeless classics that continue to resonate with listeners today.

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Album Review: "Fly" by Sarah Brightman - Soaring High with Every Track

Sarah Brightman Fly

Sarah Brightman’s "Fly" album is a magical ride from start to finish. I was a huge fan of Brightman’s previous album “Dive” which featured covers and tunes written or co-written by Frank Peterson of Enigma fame. Released in 1995 and subsequently released a year later featuring the duet “Time To Say Goodbye,” this album blends pop, classical, and electronic sounds in a way that only Brightman can. It kicks off slow with the title track and gradually builds. My favorite from the album for years was the track "A Question of Honour," a powerful track that mixes opera and dance music seamlessly. The song builds up with intense energy, setting the tone for the rest of the album.

"Ghost in the Machinery," a hauntingly beautiful track with a catchy beat. "You Take My Breath Away" follows, showcasing Brightman’s ethereal voice perfectly. Each song on the album has its own unique vibe—like "Something in the Air," which features Tom Jones and has a fun, retro feel to it. "Heaven Is Here" is another standout, with its dreamy melodies and soothing vocals.

The album doesn’t shy away from emotional depth, either. "How Can Heaven Love Me" is a duet with Chris Thompson that’s both powerful and heartfelt. The album wraps up with a reprise version of "Fly," a tender and touching conclusion to this musical journey.

Fly was also re-released for Brightman's La Luna Tour featuring a bonus disc known as Fly II and again in 2006 as an expanded single disc featuring tracks from Fly II as bonus tracks.

Overall, "Fly" showcases Sarah Brightman’s versatility as an artist. Whether she’s belting out high notes or singing softly, her voice is captivating. Each track brings something different to the table, making this album a must-listen for both old fans and new listeners alike.

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