My Obsession with Samantha Fox's 1987 Album: A Nostalgic Dive

Okay, let's get real for a second. Remember that moment when a song just totally grabbed you, and you knew, just knew, you had to have the whole album? That was me with Samantha Fox and her 1987 self-titled album. It wasn't just about "Touch Me" anymore; this was a whole new level of musical infatuation. I first got a taste of Samantha Fox when “Touch Me” was playing almost nonstop on Q-100 and fell in love with her, but her second album? That's where the real obsession began. When Jive Records dropped it in July 1987, things changed for me. This album wasn't just a collection of songs; it was a time capsule, a memory bank and honestly, a huge part of my young life.

This album made waves, too. It hit No. 22 in the UK, No. 51 in the US, No. 41 in Canada, No. 86 in Australia, and No. 16 in Germany. That's a pretty big deal! But for me, it wasn't about the charts. It was about the feeling.

I distinctly recall the days at daycamp when I would find myself at Skateland with my friend Jenny Reeves. I would request the song be played a few times during skating sessions and we’d belt out “Naughty Girls” at the top of our lungs, mostly off-key, but who cared? We were just kids, around 12 or 13 and that song was an anthem in the soundtrack of my life for a while. Every trip to the store turned into a mission. I’d beg my parents for the tape because I needed to hear all those songs that radio wasn’t playing. My friend Stig, bless his soul, gifted me a copy that he intended to sell at school or his flea market side hustle. Little did I know that the album version was different from the extended version they played at the skating rink, which sent me on another quest!

I remember spending countless hours in my room, playing that tape, trying to drift off to sleep. I’ve always struggled with insomnia and music has always been my go-to in hours of need. It cleared my head and sometimes, the songs would spin into these elaborate dreams, way cooler than any music video on MTV. I still wonder, was I the only one who experienced that? Anyway, I adored every single track. Over the years, remastered and expanded versions of the album have been released. Of course, I snagged them all, but nothing beats the original for me.

After the success of her first album, Touch Me (1986), Samantha Fox jumped back into the studio. Her label was worried, apparently, that the second album didn’t have any hits. So, they got Stock Aitken Waterman to write “Nothing’s Gonna Stop Me Now.” That definitely helped! But Full Force, who were working with Lisa Lisa then, also gave her a major hit with “Naughty Girls (Need Love Too).” The album also had other solid singles like “I Surrender (To the Spirit of the Night),” “I Promise You (Get Ready),” and “True Devotion.”

There's also this interesting tidbit about Jim Lea and Noddy Holder from Slade writing “Shooting Me Down” for the album. Jive wanted them to, and they made a demo, but Samantha didn't get to record it due to time constraints.

Track Listing Deep Dive: Let's Get Real About These Gems!

• "I Surrender (To the Spirit of the Night)" - 3:56: Okay, confession time, this was and still is the one for me. Seriously, why didn't this get more airtime? Pure magic!
• "I Promise You" - 3:54: Such a sweet track. Still holds up!
• "Naughty Girls" - 5:10: Ah, yes! The song that sealed my fate. Totally head over heels after this one. It is also THE big one from the album.
• "True Devotion" - 4:37: Ballad alert! And not just any ballad. This one hits deep. Seriously, Cars "Drive" vibes, anyone?
• "(I Can't Get No) Satisfaction" - 5:36: A bold cover! Gotta respect the guts.
• "Nothing's Gonna Stop Me Now" - 3:43: You know you sang along.
• "If Music Be the Food of Love" - 4:49: Such a lovely, dreamy track. Perfect for zoning out.
• "That Sensation" - 4:19: This one's got that undeniable 80s energy. Can't help but move!
• "Dream City" - 4:55: Takes me to another world. Just close your eyes and drift.
• "The Best Is Yet to Come" - 4:50: Ending on a high note! Optimistic and catchy.

So, that's my deep dive into Samantha Fox's 1987 album. It's more than just music; it's a snapshot of my childhood, a collection of memories and a reminder of simpler times. I'm curious, did anyone else have that one album that just stuck with them? Any Samantha Fox fans out there who remember those days? Share your stories in the comments below! I always love hearing from fellow music enthusiasts and nostalgia buffs. Your thoughts and memories really make these discussions so much fun. If you've enjoyed reading about my musical journey, and feel inclined to show your appreciation in any way, feel free to get in touch! It’s all about sharing the love of music, right?

Lost in the Blue: My 80s Debbie Gibson Obsession (A Deep Dive)

Hey everyone! Let's take a vibrant trip back to the late 80s. Picture this: huge hair, neon EVERYTHING and the sound of infectious pop music filling the air. For me, one album perfectly encapsulates that era: Debbie Gibson's "Out of the Blue." Today, let's dive deep into this iconic record. I remember wanting this album with every fiber of my being. My mom, bless her heart, suggested taping it off the radio. But you guys get it, right? Radio only plays singles! I needed the whole experience: the artwork, the hidden gems and being able to hit play whenever I wanted.

My journey began with Debbie Gibson's "Only In My Dreams" video on VH1. What was super intriguing was that when they showed the video, there was no album title displayed! It was like a mystery I needed to solve. "Out of the Blue" officially dropped on August 18, 1987, but I didn't get my hands on a copy until my friend "Stig" shared a dubbed cassette a year later. Even then, the music still felt fresh and amazing. Over the years, I have purchased the album on cassette, CD as well as vinyl.

So, let's explore the musical landscape of "Out of the Blue." All tracks were written by the incredibly talented Deborah Gibson, showcasing her songwriting prowess at a young age.

Side A: The album kicks off with the title track, "Out of the Blue"—an energetic anthem that sets the tone with its catchy melody and optimistic lyrics. It's about stepping out and embracing new opportunities. "Staying Together" follows, a slightly more mature tune exploring the complexities of relationships. Then comes "Only in My Dreams," the breakout hit, a dreamy, synth-driven track about infatuation and fantasy. "Foolish Beat" slows things down with a heartfelt ballad that displays Gibson's vocal range and emotional depth. It's a song about heartbreak and regret, something many young listeners could relate to. Finally, "Red Hot" brings the energy back up with a danceable track.

Side B: "Wake Up to Love" starts the second half with a burst of positivity and encouragement, urging listeners to find and embrace love. "Shake Your Love" continues the upbeat vibe with a strong dance-pop rhythm, perfect for the roller rink or bedroom dance parties. "Fallen Angel" adds a bit of a dramatic edge, telling a story of someone who's lost their way. "Play the Field" is another fun, energetic track with playful lyrics about love and relationships. The album concludes with "Between the Lines," a reflective song about understanding and communication, showing a more thoughtful side to Gibson's songwriting.

Clocking in at just over 40 minutes, "Out of the Blue" was an album I could listen to endlessly—and trust me, I did. I'd often fall into a listening rabbit hole, getting lost in the music. Fun fact: some of these tracks even inspired moments in my debut book, "Under The Lifeguard's Watch." One of my main characters is a huge pop music fan and Debbie's album is one of his favorites—he clearly has great taste. When "Electric Youth" came out, it was massive, but thanks to my friend Charlie Thayer for the cassette hookup of that second album, I still always came back to "Out of the Blue." It's just got that special something.

What are YOUR favorite 80s albums? What memories do they bring back? Share your thoughts in the comments below! And if you enjoyed this nostalgic journey and want to support more of my writing and deep dives, well, any little bit helps keep the music playing. 😉 Thanks for reading, and keep the 80s spirit alive! 🤘

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Madonna's 'Erotica': A Personal Journey Through Bold Sounds and Boundaries

October 1992. The air crackled with a certain…audacity. Madonna, ever the provocateur, dropped Erotica, not just an album, but a seismic event in pop culture. It was raw, sensual and unapologetically in your face – everything you expected from the Material Girl, amplified tenfold. But for me, Erotica's arrival wasn't just background noise to the zeitgeist; it became deeply interwoven with a pivotal chapter of my own story, a time when I was picking up pieces and daring to forge a new path.

Picture this: I'd just fled the chaotic energy of New York City, seeking refuge in my mom's Florida home. A recent traumatic experience while hustling had left me needing some recovery time and I was desperately trying to find my footing. Then, Erotica hit the scene. The buzz was inescapable, even in the relative quiet of Pace, Florida, at least on TV. Despite my precarious situation, a magnetic pull drew me towards this sonic exploration of desire and freedom.

So, I did what any self-respecting Madonna fan would do: I implored my mama to take me to the mall in Pensacola, I didn’t care if it was University or Cordova Mall. My mission? To snag both the Erotica album and the infamous Sex book, its visual companion released the very next day. Her reaction was swift and decisive. A resounding "absolutely not!" echoed through the Florida air. "You don't need to be listening to that hussy anymore," she declared, convinced I needed a serious life overhaul. Oh, the irony! Little did she know, as she lectured me about righteous living, I was already hatching my escape plan back to the very city she thought was one of my downfalls, Erotica fueling my rebellious spirit.

Erotica, Madonna's fifth studio offering, landed courtesy of her own Maverick Records, distributed by Warner Bros. This wasn't the bubblegum pop of the past; this was a deliberate plunge into the realms of sexuality, power dynamics and self-determination. Madonna, ever the captain of her ship, co-produced the album alongside the masterful Shep Pettibone, a name synonymous with the vibrant house music scene and André Betts, who brought his distinct hip-hop sensibilities to the mix.

The album pulsed with a diverse sonic palette. The hypnotic, spoken-word delivery of the title track, "Erotica," immediately established the album's provocative intent. Tracks like the shimmering, disco-infused "Deeper and Deeper" invited you to lose yourself on the dance floor, while "Fever" reimagined Peggy Lee's sultry classic with a distinctly modern, steamy edge. Amidst the boldness, "Bad Girl" offered a surprising moment of vulnerability, a melancholic ballad showcasing a different facet of Madonna's artistry. Then there was "Rain," a softer, more introspective track that provided a brief respite from the album's otherwise assertive energy.Interestingly, Erotica was released in two distinct versions: the standard, unadulterated experience and a "clean" version, carefully sanitized for more sensitive ears. In a twist of fate, I initially ended up with the censored cassette tape from a Walmart in Milton, a purchase I paired with the high-energy compilation Red Hot & Dance. I was officially hooked. However, upon my triumphant return to New York in November '92, that clean cassette stayed behind in my mama’s house, to remind her when she found it that her word was not final. Drawn by the allure of the unfiltered experience, I stumbled upon a street vendor peddling what looked like the real deal – the parental advisory version. Sadly, this turned out to be a poorly produced bootleg, the sound muddy and the photocopied artwork a pale imitation of the original. Both that and a dodgy Mariah Carey MTV Unplugged cassette quickly found their way into the trash leading me to a pilgrimage to the hallowed halls of Tower Records rectified the situation and I proudly walked out with a genuine copy of Erotica, the sonic landscape clear and vibrant. I even picked up the Sex book, though truth be told, despite my profession at the time, I found the explicit imagery less compelling than the accompanying CD, which featured remixes of the "Erotica" title track.

The concept behind Erotica was inextricably linked to the Sex book. This wasn't just a marketing ploy; it was a deliberate artistic statement. Madonna, alongside visionary photographers Steven Meisel and Fabien Baron, crafted a visual and textual exploration of sexuality, challenging societal norms and sparking fiery debates about censorship, art and morality. The album served as the sonic backdrop to this visual narrative, each track a different facet of desire, liberation, and the complexities of human connection.

Madonna's intention was crystal clear: to provoke thought, to shatter taboos and to reclaim female sexuality on her own terms. Erotica wasn't just about the act of sex; it was about the power dynamics, the vulnerability and the sheer freedom of embracing one's desires. It was a bold, audacious move that inevitably drew both fervent admiration and fierce criticism. Yet, in its defiance, Erotica solidified Madonna's position as an artist unafraid to push boundaries and ignite conversations that others dared not touch.

Back in the electric hum of New York City, Erotica was inescapable. It permeated the very fabric of the nightlife. You couldn't step into legendary haunts like Julius' or the gritty charm of the Ninth Circle without the pulsating beats of "Deeper and Deeper" or the sultry whispers of "Fever" filling the air. I happily fed countless dollar bills into their jukeboxes, those tracks becoming my soundtrack to my nights out, a defiant anthem to my independence.

One particularly surreal moment involved a glimpse into the making of the "Bad Girl" music video. Some scenes were being filmed at a diner in the city and witnessing the controlled chaos of a film set, even from a distance, felt like a brush with pop culture magic and Madonna herself. Erotica wasn't just an album I listened to; it was an immersive experience, a cultural touchstone that defined a specific moment in my life, a bold soundtrack to my own personal revolution.

Decades later, Madonna's Erotica remains a potent and influential work, a testament to her fearless artistry and her uncanny ability to challenge conventions. But now, I turn the mic over to you. What's your story with this iconic album? Did it soundtrack a particular moment in your life? Did it spark a feeling, a memory, or perhaps even a moment of self-discovery?

I'd absolutely love to hear your experiences. Dive into the comments below and share your thoughts, whether you've been a fan since '92 or are just discovering its power. Your voice adds to the richness of this conversation. And if this journey down memory lane resonated with you, your support would mean the world. Whether it's as simple as sharing this post, leaving a thoughtful comment, or contributing in any way that feels meaningful to you, it helps keep these stories alive and the music playing. Together, we can continue to celebrate the art that shapes our lives.

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A Sweet Memory with Dave Willetts: Hypnotized by On and Off Stage

Picture this: It’s January 1993, one of the coldest days and nights I can recall. I found myself at a man’s apartment in New York City, invited to stay over because of the freezing weather. Here’s how it happened: we were sitting together at Julius', watching the news as they ran a report on hypothermia and frostbite, warning about the dangerously low temperatures that night and the following day. I can’t remember his name, but he was kind—a real aged-hippy vibe. At one point, he turned to me and said, “My place is warm. Would you like to come stay over? I have an electric blanket too.”

It’s a quirky detail, sure, but trust me, it perfectly sets the stage for an evening that would stay with me for decades.

Dave Willetts as The Phantom

This man happened to know I was a die-hard fan of The Phantom of the Opera (and let’s be honest, probably used it to set the mood, haha). He put on On and Off Stage, Dave Willetts’ album. Now, at the time, I only knew of Dave Willetts by association—he had taken over the Phantom role in London after the legendary Michael Crawford stepped away. But when I heard his voice for the first time that night, it was nothing short of mesmerizing. His tone was so much sweeter and gentler than I was used to after hearing Michael Crawford, Colm Wilkinson, and even Mark Jacoby who was currently performing the role on Broadway. I was hooked.

While On and Off Stage includes just two songs from Phantom, it delivers so much more. Willetts’ rendition of “The Music of the Night” is an absolute standout. If you haven’t heard it, you have been missing out! That said, I have to admit I was slightly let down by the album’s version of the title track, “The Phantom of the Opera.” It wasn’t due to Willetts himself—his vocals are stunning—but rather the choice of Lesley Garrett to sing opposite him. While she’s undeniably talented, the duet lacked the iconic “Sing For Me” cadenza and Christine's high E, which has always been a highlight for fans. Fun fact: she later nailed it when Michael Ball featured her on one of his own albums, which did include the full cadenza.

Dave as Jean Valjean

But what really surprised me was that my favorite tracks weren’t from Phantom or even musical theatre. Willetts’ mashup of Bette Midler’s “The Rose” and Neil Diamond’s “Hello Again” is pure magic. And “Nights Are Forever,” a song you might recognize from Twilight Zone: The Movie, was another hidden gem that I couldn’t stop replaying. Then there’s his breathtaking performance of the mashup “Be On Your Own” and “Unusual Way” from the musical Nine. Honestly, it’s the kind of artistry that leaves you in awe.

The next day, before retreating to my little abode in New Jersey to hunker down for the rest of the icy cold, I couldn’t leave the city without making this album mine. I headed straight to Colony Records and snagged their only copy of On and Off Stage. I’ll admit—it was really expensive for an album with just 12 tracks, but honestly? It was worth every penny then, and it still is today.

To this day, it remains one of my most cherished albums—a treasure that instantly transports me back to that freezing New York evening and the unforgettable warmth of discovering a voice that completely captivated me. Dave Willetts’ On and Off Stage is a musical treasure. It’s more than just an album; it’s an experience, blending iconic theatre pieces with pop ballads in a way that feels personal and timeless. Whether you’re a theatre buff, a collector of all things related to The Phantom of the Opera or just someone who appreciates beautiful vocals, I can’t recommend it enough.

Now, I’d love to hear from you! Have you heard this album or have any special memories tied to Dave Willetts’ music? Share your thoughts in the comments below—I’d genuinely love to connect and chat with fellow fans. And hey, if you enjoyed this little journey down memory lane and would like to support more content like this, your kindness doesn’t go unnoticed. A heartfelt “thank you” goes out to anyone who feels inspired to contribute. 💜

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The Rhythm of the Night: Reliving the Eurodance Magic with Corona

My first acquaintance with Eurodance music was when I was in New York City in the early 1990s. I instantly became a huge fan. I love disco and dance music, and to this day, despite the genre's decline at the end of the nineties, I remain a devoted fan of Eurodance as well as all dance music. One of the most memorable moments was hearing Corona's smash hit "The Rhythm of the Night" on the radio and in dance clubs. I was blown away! These tracks are some of the best dance anthems ever, alongside other Corona immortals like "Baby Baby" and "Try Me Out." The album also includes some fantastic tracks that were never released as singles. If you grew up in the nineties and remember the dance music of that era, this album is essential for your collection. It allows you to reminisce about those wonderful times and embrace the super positive energy that only Eurodance music can generate.

Corona's "The Rhythm of the Night" album, released in 1995, became an instant sensation. The album features what the producers wanted you to think were Olga De Souza's powerful vocals, bringing life to a collection of hedonistic dance tracks, more on that later.

Music Week gave the album 4 out of 5 stars, praising the title track and the follow-up single "Baby Baby," calling it a superior dance album. NME rated the album 8 out of 10, highlighting the Spagna Brothers and their collaborator F Bontempi's contribution to the collection of belting dance beats. The album is filled with energetic and danceable tunes, making it a must-have for Eurodance fans. Pop Rescue emphasized the infectious energy of the album, praising tracks like "Try Me Out" and "I Gotta Keep Dancin'." The review noted that the album is perfect for a dance party. Rate Your Music featured mixed reviews. While some users praised the 90s dance classics "Baby Baby" and "The Rhythm of the Night," others felt that the rest of the album didn't live up to the same standard. The repetitive bass beat pattern and cheesy lyrics were points of criticism. Album of The Year highlighted the nostalgic and uplifting nature of the album. Some users expressed a deep emotional connection to the title track, describing it as a song that brings joy and excitement.

Corona, led by the Brazilian model/singer Olga De Souza, became synonymous with Eurodance in the 90s. Interestingly, the actual vocals for "The Rhythm of the Night" were performed by Italian singer Giovanna Bersola (better known as Jenny B). The rest of the tracks were actually sung by Welsh Singer, Sandy Chambers. Olga De Souza served as the face of the group, appearing in music videos and performances, adding to the visual appeal of the act. The album was produced by Francesco Bontempi, also known as Lee Marrow, and the Spagna Brothers. Their collaboration resulted in a collection of tracks that are both energetic and infectious. The recording process of "The Rhythm of the Night" album involved top-notch producers and musicians. The album features a blend of synthesizers, drum machines, and electronic beats, creating a sound that was contemporary and timeless. The use of distinctive instruments and production 

The standout tracks on the album include "The Rhythm of the Night," "Try Me Out," and "I Don't Wanna Be a Star." Each song showcases the infectious energy and catchy melodies that define Eurodance music. One notable cover version on the album is "Baby Baby," which to any fans of the song, THIS is the definitive version of the song, reimagined, adding a fresh twist.

Hearing "The Rhythm of the Night" and "Baby Baby" for the first time in New York City was a game-changer for me. These songs captured my heart and further fueled my love for Eurodance music. I still believe they are some of the best dance tracks ever created. The album's super positive energy and nostalgic vibe make it a timeless classic.

"The Rhythm of the Night" by Corona is an album that continues to bring joy and excitement to fans worldwide. I'd love to hear your thoughts and memories about this album in the comments below. And if you feel inspired, any contributions or gifts are always appreciated but never expected. Let's celebrate this timeless classic together.

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The Magic of The Bangles' "Different Light"

Back in the magical era of the '80s, The Bangles' "Different Light" album was nothing short of a revelation for me. Released on January 2, 1986, this album became an instant classic in my world, filled with catchy tunes, heartfelt lyrics, and those incredible harmonies that only The Bangles could deliver.

I can vividly remember the first time I heard "Walk Like An Egyptian." Released as a single in September 1986, this track's quirky and infectious rhythm had everyone mimicking the distinctive dance moves. I was completely obsessed with it! My sister, Becki, knowing my newfound infatuation, gifted me the 45" single for Christmas that year. It was pure magic, and I couldn't have been happier. I almost wore it out on my brand new Emerson stereo system I got from Santa the same Christmas.

The music video for "Walk Like An Egyptian" was another obsession of mine. It was nominated for Best Group Video at the 1987 MTV Video Music Awards and featured the Bangles performing the song at a concert, along with scenes of people dancing in poses similar to those depicted in Ancient Egyptian reliefs. I watched it countless times, mesmerized by the visuals and the energy of the song.

A few months later, my collection expanded when I got the full-length "Different Light" album on cassette tape. That cassette became my prized possession. I obsessed over the album for months into a year, listening to it from beginning to end, again and again. I learned all the lyrics, and the vocal parts, not just the lead vocals but the harmony parts too. Tracks like "If She Knew What She Wants," "Walking Down Your Street," and "Angels Don't Fall in Love" were the soundtrack of my life during those formative years.

I also loved the remixed version of "Walking Down Your Street" that was used for the music video. The extended remix version added a fresh twist to the song, making it even more captivating. The music video for "Walking Down Your Street" was another visual treat, showcasing the Bangles' charm and the vibrant '80s aesthetic.

I've always thought it would be amazing to re-record the entire "Different Light" album using my own vocals for all the parts. It would be a tribute to an album and a band that I have loved since my elementary school days. Imagine transforming those familiar melodies and harmonies into a unique version with my voice! Even if it's just for myself, it would be a beautiful and fun way to honor The Bangles and the impact their music had on my life.

The album "Different Light" was produced by David Kahne and released by Columbia Records. The songwriters for the album include a mix of Bangles members and other talented artists. For example, "Manic Monday" was written by Prince under the pseudonym "Christopher," while "Walking Down Your Street" was penned by Susanna Hoffs, David Kahne, and Louis Gutierrez. Each track brings its own unique flavor to the album, contributing to its timeless appeal.

Who knows what the future holds? Maybe one day I'll meet the right musicians, and together, we'll create something magical. For now, I'll keep the dream alive and let the music of "Different Light" continue to inspire me. And if anyone feels like adding to my Bangles collection, I've got the album on CD and had it on cassette, but never got it on vinyl. Just putting it out there! 😉

Rediscovering ABBA: A Personal Journey Through 1992

ABBA Gold Greatest Hits

Imagine this: it's 1992, a year filled with new experiences, adventures, and the magic of discovering music that speaks to the soul. For me, this was the year I truly fell in love with ABBA, all thanks to Erasure's tribute EP, ABBA-esque. This four-track homage brought the timeless melodies of the iconic Swedish pop group to a new generation and set the stage for the release of ABBA Gold: Greatest Hits, an album that would become one of my all-time favorites.

Growing up, I didn't know much about ABBA. My musical knowledge was limited, but I was a huge fan of the musical "Chess," written by Bjorn, Benny, and Tim Rice. My understanding of "Chess" far exceeded what I knew of ABBA. Everything changed when I bought a copy of Erasure’s ABBA-esque thanks to hearing the tunes countless times in the clubs, bars and in random stores. The cashier at the Sam Goody in the A&S Plaza, now Manhattan Mall, suggested I also check out the new ABBA greatest hits album called ABBA Gold. Without hesitation, I added it to my purchase, and it was one of the best decisions I ever made.

ABBA Gold is a 19-song collection that marked the first comprehensive greatest hits compilation featuring the 1970s supergroup after years of their music being off the market. Released by Polar Music in 1992, the album brought together some of ABBA's most beloved songs, offering both hardcore fans and casual listeners a straightforward collection of the group's most popular tunes. Produced by Michael B. Tretow, who worked with ABBA throughout their career, the sound quality and arrangements remained true to the original recordings.

From the infectious beat of "Dancing Queen" to the heart-wrenching "Knowing Me, Knowing You," each track on ABBA Gold tells a unique story. I remember the thrill of hearing "Take a Chance on Me" and "Mamma Mia," songs that encapsulated the essence of ABBA. "Lay All Your Love on Me" and "Super Trouper" quickly became personal favorites, each song evoking emotions and memories that I cherish to this day.

ABBA Gold stands out as one of the few albums from the 1970s and '80s that doesn't show its age. The fresh sound, innovative production, and unforgettable melodies make it timeless. The album's track listing includes hits like "I Have a Dream," "The Winner Takes It All," and "Money, Money, Money," each song contributing to the album's enduring appeal.

The release of ABBA Gold in 1992 was followed by More ABBA Gold: More ABBA Hits in 1993, featuring additional tracks like "Summer Night City" and "The Day Before You Came." Both collections were a welcome addition to ABBA's catalog of brilliant albums. Since then, ABBA Gold has been re-released several times, ensuring that new generations of listeners can experience ABBA's music in the best possible quality.

As for my personal favorites from ABBA Gold, I’d have to say "Take a Chance on Me," "Knowing Me, Knowing You," "Voulez-Vous," "Does Your Mother Know," and "Lay All Your Love on Me" are the standouts. Each song showcases the unique blend of catchy melodies, heartfelt lyrics, and impeccable production that made ABBA a global sensation.

What about you? Do you have any favorite ABBA songs or memories associated with their music? Have you listened to ABBA Gold or More ABBA Gold? I'd love to hear your thoughts and experiences in the comments below!

Music has the power to bring us together and create lasting memories. If this story resonated with you and you'd like to support my journey in sharing more personal musical memories, your contributions would be greatly appreciated. Let's continue celebrating the music that shapes our lives! 🎶✨

A Journey Back to 1986: The Power of Janet Jackson's "Control"

Picture it: 1986. Neon colors, big hair, and the unmistakable sound of the '80s in the air. It was a year of change, of breakthroughs, and for many, the year they first fell in love with Janet Jackson's groundbreaking album, Control.

Growing up, I always felt a special connection to music—it was my escape, my solace, my joy. The day I turned on WABB and heard the funky bassline and catchy lyrics to “Nasty,” I was instantly captivated. This was Janet Jackson, no longer just Michael Jackson's little sister, but a powerhouse in her own right.

By the time the album was officially released on February 4, 1986, "What Have You Done for Me Lately" had already been dominating the airwaves for three weeks. The song's infectious beat and empowering lyrics set the tone for the entire album. I wanted this album so badly, but my mom, ever the frugal woman, simply told me to “tape it off the radio!” How could I tape a whole album off the radio when they only played the top 40 singles?

During one of our shopping trips to K-Mart, my dad’s favorite among the discount department stores in the area, I managed to convince him to buy me the 7-inch single of the song “Control.” It was backed with a song from Janet’s previous album called “Fast Girls,” which I loved just as much. But having the single still didn’t satisfy my craving for the entire album.

The turning point came in an unexpected and heartbreaking way. My abuser, a few doors down from us, used "Control" as the soundtrack to one of his frottage sessions. As payment for his one-way pleasure, he let me have the album and told me not to tell my mom where it came from. When I got home, I knew I had to keep it a secret, so I decided to record the album onto a cassette tape using my sister’s big stereo. This way, I could listen to it in my mama's car or wherever I wanted.

From start to finish, the message of "Control" is clear: Janet had something to prove. This album is far from a cookie-cutter 1980s record. It stands out as one of the few albums from that era that doesn't show its age. The fresh sound, innovative production, and Janet's confident vocal delivery make Control timeless.

The album consists of nine tracks, seven of which became singles that stormed the charts. Alongside "What Have You Done for Me Lately," fans were treated to hits like "Nasty," "When I Think of You," "Control," "Let's Wait Awhile," "The Pleasure Principle," and the final track and single, "Funny How Time Flies (When You're Having Fun)." Each song tells a story of empowerment, independence, and resilience, themes that resonated with many and solidified Janet's place in music history.

For those looking to relive the 1980s without delving into the "oldies" genre, Control is the perfect throwback. It captures the essence of the decade while maintaining a fresh, modern feel. On a side note, a remix album titled Control: The Remixes (also known as "More Control") was released on January 26, 1987, in Europe and Japan. This album features various remixes of tracks from Control and serves as a great companion to the original album. There are three editions of the remix album, each offering a unique listening experience. For the best collection of remixes, I recommend the UK edition.

Janet's journey through Control is a testament to the power of music and the strength it can bring to our lives. Whether you have a similar story or simply want to share your thoughts on the album, I'd love to hear from you. Feel free to leave a comment and join the conversation. If this story resonated with you and you feel inspired to show support, know that every little bit helps in keeping these memories alive. Let's continue celebrating the music that shapes our lives! 🎶✨

Lisa Vroman's Broadway Classic: An Enchanting Journey Through Theatre Hits

Lisa Vroman Broadway Classic

Today's music review is all about the amazing album by Lisa Vroman entitled Broadway Classic. I had to pleasure of seeing Lisa perform the role of Christine several times during her time with various productions of the show. Lisa Vroman performed as the original alternate Christine in the Music Box Tour of Phantom before moving on to San Francisco as the principal Christine for the show's five-year run. Miss Vroman went on to perform the role for several years on Broadway and again with the Music Box Tour. While I love most of the ladies I've seen as Christine (25 of them) if someone asks of the ones I've seen which is my favorite and I usually reply, I liked all of them for one reason or another so I couldn't narrow it down to just one. With that said, Lisa was consistently perfect throughout every performance I'd seen and her voice effortlessly flowed from her in a mesmorizing way. If any future Christine needed one to research for their role, Lisa is the one to take notes from.

Lisa Vroman as Christine

Lisa's Broadway Classic album, a sixteen-track CD produced in 1999, holds a special place in my heart. The moment I saw it in the Borders bookstore I frequented, the very same one I'd worked at for a few years, I bought the only copy in the store. Before I even left the store, I had already queued up her stellar rendition of "Think of Me" on my trusty Philips Portable CD Player, her mesmerizing voice flowing through my headphones. During the brief time I hosted an internet radio show, I frequently played tracks from Lisa's CD and was consistently asked by listeners where they could get a copy. To this day, Lisa's album remains one of my all-time favorite Phantom-related CDs. Backed by the San Francisco Radio Orchestra, the lush orchestrations can fill any room, depending on your sound system. Lisa's voice is nothing short of enchanting.

Lisa's Broadway Classic album isn't just about her incredible renditions of Phantom tunes; those are merely a fraction of what she masters. Some might argue that Julie Andrews' version of the legendary Rodgers & Hammerstein tune "The Sound of Music" is the definitive recording, but once you hear Lisa's rendition, you might find yourself reconsidering. Maury Yeston's "Unusual Way," a song I have cherished since hearing it performed by Dave Willetts, Elaine Paige, and my friend Jonathan Frank, receives a masterclass treatment from Lisa.

Lisa isn't just well-versed in modern theatre tunes; she delves into the works of Lerner & Loewe, as well as the iconic Leonard Bernstein. Her versatility shines through each track, making this CD a must-have for theatre music aficionados. Phantom enthusiasts will be particularly enchanted. I could sing the praises of this CD for days; it’s truly outstanding. Miss Vroman's performances of "Think of Me" and "Wishing You Were Somehow Here Again" make this CD worth every penny; the rest is just the cherry on top.

Though this is a CD review and I touch on the times I've seen Lisa live in The Phantom of the Opera, in the future, I will be featuring my thoughts and profiles on the ladies and gentlemen I've seen in The Phantom of the Opera over the years, just as I am doing with my Saturday GLOWcase series which features the cast, crew, and fans of the Gorgeous Ladies of Wrestling.

If you’ve had the chance to listen to this CD or see Lisa perform live, I’d love to hear your thoughts. Please share your comments below! If you enjoyed this review and would like to support future content, your contributions are greatly appreciated. Thank you! 🎶

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Dale Kristien's The Beauty of Broadway: A Must-Listen for Phantom Lovers

Dale Kristien, The Beauty of Broadway

Dale Kristien holds the unique distinction of being the only actress to perform the role of Christine for eight weekly performances in the original Los Angeles production of The Phantom of the Opera until it closed. Her journey as Christine began as the Alternate Christine on Broadway, stepping in for Patti Cohenour who replaced Sarah Brightman. It’s a shame that replacement performers often don't get the chance to release a cast recording, especially when they possess a voice like Dale Kristien.

A page from Phantom's LA program featuring Dale with Michael Crawford

After the LA production of Phantom ended, Dale recorded an eleven-track CD for Prima Records titled The Beauty of Broadway. Naturally, she included a few Phantom tunes. Her renditions of “Wishing You Were Somehow Here Again” and “Think of Me” are stellar, complete with her breathtaking cadenza and HIGH C. The album also features her duet “All I Ask of You” with her Raoul co-star, Michael Piontek. The other eight tracks span various shows, from Peter Pan and The Secret Garden to Irene. One of the most epic moments on this CD, besides the Phantom tracks, is her incredible vocal duel with her former Carlotta, Leigh Munro, during “Glitter and Be Gay” from Candide.

Dale’s voice is unique, lighter in tone than most actresses who have portrayed Christine. However, this lightness does not equate to weakness by any means. I highly recommend this CD to any Phantom fan who appreciates an outstanding Christine, as well as fans of classic musical theatre.

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I’d love to hear about them in the comments. Your stories make this journey all the more special. If you enjoyed this post and would like to support my storytelling journey, any small token of appreciation is always welcome. Let’s keep the joy of sharing memories and stories alive together!

Megan Starr-Levitt's Beautiful Broadway: An Intimate Vocal Masterpiece

I first encountered Megan Starr-Levitt as an understudy in the Broadway production of Phantom, but she truly shone when she covered the role of Christine. Her performance was mesmerizing. When I saw that Megan had released a CD, I couldn't wait to get my hands on it.

Beautiful Broadway features ten tracks, including beloved classics like "How Could I Even Know" from The Secret Garden, "Moonfall" from Drood, and "Think of Me" from Phantom. Megan's voice is stunning and crystal clear, and her renditions of these songs are simply captivating.

Megan Starr-Levitt as Christine

While the album is a simpler production, with Megan’s voice backed by a single piano, it allows her vocals to take center stage. This raw, intimate setup beautifully showcases her talent. Her rendition of "Think of Me" is a standout and is a permanent fixture on my playlist.

I highly recommend this CD to fans of Megan, classic Broadway, and those who appreciate the purity of piano and voice arrangements. Though it's a little hard to find, it's worth searching for as Megan’s voice is colorful and beautiful, making this album a delightful addition to any collection.

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Jonathan Frank's "Sleeping in the Arms of Love" Album Review

Jonathan Frank, Sleeping in the Arms of Love

Jonathan Frank's "Sleeping in the Arms of Love," released in 2000, is a captivating blend of pop and cabaret, perfect for cozy evenings. The album features Frank's smooth vocals accompanied by a 23-piece orchestra, creating a rich and lush soundscape. With contributions from some of Los Angeles and New York's finest songwriters, such as Francesca Blumenthal and Amanda McBroom, the album effortlessly bridges the gap between familiar classics and fresh new compositions.

What stands out about this album is its ability to transport you to a different time and place. Frank's voice has a warm, comforting quality that makes you feel like you're wrapped in a cozy blanket. The orchestration is top-notch, adding depth and emotion to each song. Whether it's a lively tune or a slow ballad, Frank's delivery is consistently engaging and heartfelt from start to finish.

Overall, "Sleeping in the Arms of Love" is an underrated hidden gem that deserves more recognition. It's the perfect listen for anyone who enjoys a mix of pop and cabaret. This album will undoubtedly leave listeners with a smile on their face and wanting more. If you're looking for something delightful and new to add to your playlist, Jonathan Frank's "Sleeping in the Arms of Love" is definitely worth a listen.

Given the fact that this album is now out of print and unavailable from anywhere but third party sellers, Jonathan has given me permission to share a digital edition of his album on my blog. I hope you enjoy this great album as much as I do.

Click Here to Download Jonathan Frank Sleeping in the Arms of Love

Much love to Jonathan. Every time I hear your voice, I can't help but smile. Very grateful for your friendship.

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Album Review: "Fly" by Sarah Brightman - Soaring High with Every Track

Sarah Brightman Fly

Sarah Brightman’s "Fly" album is a magical ride from start to finish. I was a huge fan of Brightman’s previous album “Dive” which featured covers and tunes written or co-written by Frank Peterson of Enigma fame. Released in 1995 and subsequently released a year later featuring the duet “Time To Say Goodbye,” this album blends pop, classical, and electronic sounds in a way that only Brightman can. It kicks off slow with the title track and gradually builds. My favorite from the album for years was the track "A Question of Honour," a powerful track that mixes opera and dance music seamlessly. The song builds up with intense energy, setting the tone for the rest of the album.

"Ghost in the Machinery," a hauntingly beautiful track with a catchy beat. "You Take My Breath Away" follows, showcasing Brightman’s ethereal voice perfectly. Each song on the album has its own unique vibe—like "Something in the Air," which features Tom Jones and has a fun, retro feel to it. "Heaven Is Here" is another standout, with its dreamy melodies and soothing vocals.

The album doesn’t shy away from emotional depth, either. "How Can Heaven Love Me" is a duet with Chris Thompson that’s both powerful and heartfelt. The album wraps up with a reprise version of "Fly," a tender and touching conclusion to this musical journey.

Fly was also re-released for Brightman's La Luna Tour featuring a bonus disc known as Fly II and again in 2006 as an expanded single disc featuring tracks from Fly II as bonus tracks.

Overall, "Fly" showcases Sarah Brightman’s versatility as an artist. Whether she’s belting out high notes or singing softly, her voice is captivating. Each track brings something different to the table, making this album a must-listen for both old fans and new listeners alike.

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