October: A Month of Magic and Memories

When I was a little kid, besides December for the obvious reason that Santa Claus was coming to town, I looked forward to the month of October. Not only did it mean the fair would be going on during the month, but it also meant Halloween was upon us. The older I get, the less interested I become in Halloween. I never fully understood it other than it was a chance to score free candy while dressed up as something fun. I loved to dress up, but I never really got into the Halloween party spirit.

Elvira WAS Halloween when I was a kid

Growing up, I wasn't allowed to watch horror movies because they COULD give me nightmares. My parents thought my overactive imagination would turn those spooky tales into sleepless nights. So, while my friends were watching "Halloween" and "Nightmare on Elm Street," I was stuck with lighter fare like "It's the Great Pumpkin, Charlie Brown" and other kid-friendly shows. Even without the scary movies, October still held an air of mystery and excitement.

When Terry and I lived in apartments, we always bought candy just in case trick-or-treaters stopped by. Sometimes they did, and other times we ended up eating all the candy ourselves. When we bought our house, we went all out with decorations from Target, Walmart, Garden Ridge, and wherever else we found cool stuff. For the first few years, we really got into the spirit of handing out candy. Instead of using a bowl to hand out random handfuls of candy, we made individual bags of candy that I heat-sealed, and Terry finished with a sticker. Kids knew our house was the place to be because we handed out bags with Fun Sized chocolates, gum, jawbreakers, gummies, and a sucker of some sort. Unfortunately, the next day, I'd find our bags, minus the contents, strewn around the neighborhood. I guess parents don't really monitor their kid's candy like they did in the 70s and 80s.

You too can be a makeup artist, lol

Speaking of the 1980s, I remember we didn't have as many choices for Halloween costumes as there are now. We didn't have Party City or Spirit Halloween; we had K-Mart, Woolworth, TG&Y, and True Value hardware. Yes, True Value did sell costumes at one time, they also had one hell of a toy set up during Christmas. As a kid of the 70s and 80s, you either had store-bought costumes or something homemade. Looking back, the store-bought costumes were horrible. I had a Superman Ben Cooper costume in preschool and still remember the plastic mask with eye holes that didn't align, a mouth slit that could cut your lips and tongue, and nostril holes that weren't big enough to let your breath escape. We were walking nightmares, smelling our breath and sweating in our vinyl jumpsuits with pictures on the front of who or what we were supposed to be. For the life of me, I can't remember if the costume was supposed to be worn over clothes or if you were only supposed to wear it with just underwear. Homemade costumes were nice if your parent was interested in creating one, but mine wasn't. My mom made her own costumes a few times, but for my sister and me, we used stuff from around the house. One year, my sister was a “hobo,” and I was a ghost covered in a pastel green sheet that had a seam sewn in the middle along with three holes cut out, 2 uneven eye holes and for some reason, my mom also cut a hole for my nose, I guess she thought I might suffocate. I hated that costume; I wanted to be Peter Criss from KISS or Wonder Woman, but neither was in the cards for me. In all fairness, it may have been slightly better than the costume's my mom's coworkers threw together one of the years the Pensacola Interstate Fair offered free admission to anyone wearing a costume. Ten of us showed up at the fair wearing paper grocery bags from Delchamps and Food World cut with "fringe" and each of us with a feather poking out of our hair posing as half baked Indians. By the time we entered the gates, we were all already stripping off the grocery bags and left the Indians in the trash cans next to the Beer Garden before making our way to get our 8 or 10 buck "G" (for Goodings) handstamp so we could ride whatever we wanted all night. 

I got even in the 9th grade for all of the costume craziness of the past when my mom wanted me to come to her Ala-non Halloween party at the library in Milton, Florida. I convinced my sister and her best friend to dress me up as a hooker. With my mullet that looked like a shag haircut when feathered back, I wore my sister’s friend's shoes (a size too small and too narrow), black spandex tights, a silver vest and a bra. I discovered during the summer of 1992, I looked better than most of the New York City hookers, and I was better dressed and way more conservative. My mom was horrified when her friends came up to introduce themselves to me and said they had heard so much about Dee’s daughter, prompting my mom to say, "This is my SON."

My sister had this costume

Looking back on these memories, October is still a special month full of magic, creativity, and a bit of spooky fun. It's a reminder of the joy in simple traditions, the excitement of dressing up, and spending time with family and friends. Even though my enthusiasm for Halloween has changed, the nostalgia from past Octobers keeps the season bright. Here's to making new memories and keeping the October spirit alive, no matter our age. 🎃✨

Saturday GLOWcase: Evangelina: From Hollywood Dreams to GLOW Superstardom

Christy Smith as Evangelina, the GLOW Preacher

In 1988, during the OP Surf Contest in Huntington Beach, CA, a huge riot broke out, grabbing national headlines as cop cars were flipped and chaos ensued. Interestingly, Christy Smith was down the street at a friend's house, enjoying a Corona on the front porch when millions of people swarmed the street. Little did she know, this chaotic event would be just one of the many wild experiences she’d encounter.

At the time, Christy was working as a delivery driver for Beach Auto Supply. She often drove around with a bumper sticker that read, "I Survived the 1986 Riot." Evangelina and her friends had sued the police department due to injuries sustained during the riot, and after a long class action lawsuit, she received a settlement. With dreams of doing something big, she moved to Hollywood and found herself in a studio apartment where the cast of "I Love Lucy" once stayed. The Golden Girls were filming there at the time, and she often saw them as they arrived at the studio across the street.

Skateboarding around Hollywood, Christy decided to pursue acting. She picked up a copy of the Drama-Log magazine, where she found auditions listed. After a mix-up with addresses, she ended up at an audition she hadn’t planned on attending. After securing headshots and body shots for $35 at the farmers market, she returned to the casting office. Thanks to her athletic background, she was offered a spot to train as a wrestler with GLOW, Gorgeous Ladies of Wrestling. After a few months, she was cast as Evangelina, a good girl mingling with the bad girls, preaching repentance.

Evangelina & Hollywood

Performing in season three of GLOW, Evangelina brought her Roman Catholic upbringing and knowledge of other religions to the character. She even drew inspiration from televangelists like Jim and Tammy Faye Bakker. While it was a challenge to balance her spiritual beliefs with the character’s semi-evil persona, she embraced the role. Steve Blance, their writer, helped craft her character’s storyline and wrestling moves, making Evangelina a memorable part of GLOW history. Though she eventually left GLOW and moved on to other ventures, her time as Evangelina remains a cherished chapter of her life.

If you would like to purchase episodes of GLOW on DVD, Blu-Ray or VHS, check out eBay for deals on NEW and media.

Friday Date Night: At the Movies Tab Hunter and Divine's Hilarious Wild Western Adventure in 'Lust in the Dust' 🎬✨

Lust in the Dust Movie Poster

If you're in the mood for a campy, hilarious Western, "Lust in the Dust" is a must-see. Directed by Paul Bartel and released in 1985, this film stars Tab Hunter, Divine, and Lainie Kazan. The movie follows Rosie (Divine) and a cowboy named Abel (Tab Hunter) as they venture into a wild New Mexican town, filled with characters that make Divine’s presence seem normal. It's packed with over-the-top personalities and outrageous situations that will have you laughing out loud.

I had the pleasure of being friends with Tab Hunter during a brief time in the 1990s. Funny thing is, I didn't know who he was back then. It wasn't until many years later, when I watched the film "Polyester" for the first time, that I realized I had known a Hollywood icon. This was a regular occurrence in my teen years, probably because I didn’t have much exposure to pop culture outside of what was popular in Pace, Florida. "Lust in the Dust" is another gem that showcases his talent and charisma. Tab Hunter and Divine share a unique chemistry that makes their scenes together incredibly entertaining.

The supporting cast is equally memorable. Lainie Kazan's portrayal of Marguerita Ventura is larger than life. She’s an absolute riot, and hearing her belt out a hilarious musical number makes you wonder how good her performance as Barbra Streisand’s understudy for Fanny Brice might have been. The film is full of absurd yet hilarious moments. Other stars featured in this film are Nedra Volz, known for her performance as sweet Miz Tisdale in The Dukes of Hazzard as well as the original Joker in Batman, Cesar Romero. Don’t go into this if you're easily offended by politically incorrect humor, because this was created in the spirit of absurdity. Many people confuse this for a John Waters film, no doubt because the most iconic star of his films was the leading “lady” of this one. The humor is unapologetically campy, which might not be for everyone, but it's perfect for those who appreciate this genre. The film doesn't take itself too seriously, and that's what makes it so enjoyable. It's a great escape from reality and a fun trip to the wild West with a twist.

If you enjoyed movies like "Polyester" or anything by John Waters, "Lust in the Dust" is definitely for you. It's a unique blend of Western and comedy that stands out for its creativity and humor. Plus, seeing Tab Hunter and Divine on screen together again is an absolute treat. So grab some popcorn, sit back, and get ready to laugh your way through the wild antics of "Lust in the Dust."

Enjoy the wild ride through "Lust in the Dust"! 🎬✨📖

Recommendations for fans of Lust in the Dust:

"Pink Flamingos" - A cult favorite directed by John Waters.

"Hairspray" - More Divine and a whole lot of fun!

"Myra Breckinridge" - Campy, absurd, and a must-watch.

"Desperate Living" - Dive deep into the world of John Waters.

"Polyester" - Another campy classic starring Divine.

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Discover the Heartwarming World of "Heartstopper Volume 1" by Alice Oseman A Book Review

Heartstopper Volume 1 Cover

"Heartstopper: Volume 1" by Alice Oseman is an adorable graphic novel that beautifully captures the ups and downs of teenage life. The story is all about Charlie, a shy gay student, and Nick, a cheerful rugby player, and how their friendship slowly turns into something more. Oseman's artwork is so expressive and sweet, perfectly matching the heartfelt story. It's not just another love story—it's a genuine portrayal of LGBTQ+ relationships that feels both relatable and uplifting.

One of the best parts about "Heartstopper" is how real the characters feel. Oseman really nails the excitement and nerves of first love. The way Charlie and Nick interact is just so cute and authentic. The book is packed with adorable moments, thoughtful conversations, and meaningful character growth. You'll find yourself rooting for these two as they navigate their feelings and the challenges of coming out and being true to themselves.

Heartstopper Netflix Series Tie In

Overall, "Heartstopper: Volume 1" is a heartwarming read about friendship, acceptance, and love. Oseman’s storytelling is both touching and entertaining, making this book a must-read. Whether you’re a teen figuring out your own identity or an adult reminiscing about your first crush, "Heartstopper" will leave you smiling and feeling warm inside. 

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FlashPad 3.0: The memory of a thoughtful Christmas gift from Terry 🎮✨

FlashPad 3.0

Many years ago, my partner Terry gave me the FlashPad 3.0 as a Christmas gift, and I absolutely loved it then and still do to this day. This game has become a staple in my life, bringing endless hours of fun and entertainment. The FlashPad 3.0 is a touchscreen game with LED lights and sound, which I usually turn off while we're watching TV. It comes with a variety of games that keep things interesting. One of my favorites is "Chase Me," where you have to quickly tap the lights as they appear. It’s a great test of speed and reflexes. Another fun game is "Catch Me," which challenges your memory and concentration. "Remember Me" is another engaging game, very much like Simon, that’s perfect for sharpening your memory skills. The variety of games ensures there's always something new to enjoy.

What makes this gift so special is not just the fun it brings but also the memories of Terry watching me open the wrapping paper and seeing my surprise. He never thinks he gives me good gifts, but in reality, he does the complete opposite. We were flipping channels and stopped for a second on QVC while this was being demonstrated for their Christmas in July program. Although I don’t recollect saying anything, I guess he noticed my interest in it. Six months had passed, and I had forgotten about the game until I opened it on Christmas morning. The moment I put batteries in and began to play, I was hooked. It reminded me of a Christmas gift my dad had given me from Radio Shack when I was a kid, but much more modern and perfect to be stored on a coffee table without looking out of place. I LOVED it, and Terry did a wonderful job getting me exactly what I wanted, even though I said nothing.

I love the fact that the FlashPad 3.0 is portable, so I can take it anywhere, though it never leaves my house. I play whenever I have a few spare moments. I also think the fact that I can use it whenever the power is out makes it even better than a tablet, phone, or laptop. Although it does take 3 AAA batteries, it’s no big deal because they last a long time even with a lot of play. Find amazing deals on rechargable batteries that come with chargers on eBay. 🔋✨ 

Overall, the FlashPad 3.0 was an amazing gift that I cherish dearly. It combines fun, challenge, and a whole lot of thought on Terry’s part. Though it’s no longer available from QVC, it’s available on eBay at very reasonable prices. If you’re looking for a way to disconnect from the world and still play a game, this device offers a range of engaging activities. I highly recommend giving the FlashPad 3.0 a try. Happy gaming! ✨🎮✨📖

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Album Review: "Fly" by Sarah Brightman - Soaring High with Every Track

Sarah Brightman Fly

Sarah Brightman’s "Fly" album is a magical ride from start to finish. I was a huge fan of Brightman’s previous album “Dive” which featured covers and tunes written or co-written by Frank Peterson of Enigma fame. Released in 1995 and subsequently released a year later featuring the duet “Time To Say Goodbye,” this album blends pop, classical, and electronic sounds in a way that only Brightman can. It kicks off slow with the title track and gradually builds. My favorite from the album for years was the track "A Question of Honour," a powerful track that mixes opera and dance music seamlessly. The song builds up with intense energy, setting the tone for the rest of the album.

"Ghost in the Machinery," a hauntingly beautiful track with a catchy beat. "You Take My Breath Away" follows, showcasing Brightman’s ethereal voice perfectly. Each song on the album has its own unique vibe—like "Something in the Air," which features Tom Jones and has a fun, retro feel to it. "Heaven Is Here" is another standout, with its dreamy melodies and soothing vocals.

The album doesn’t shy away from emotional depth, either. "How Can Heaven Love Me" is a duet with Chris Thompson that’s both powerful and heartfelt. The album wraps up with a reprise version of "Fly," a tender and touching conclusion to this musical journey.

Fly was also re-released for Brightman's La Luna Tour featuring a bonus disc known as Fly II and again in 2006 as an expanded single disc featuring tracks from Fly II as bonus tracks.

Overall, "Fly" showcases Sarah Brightman’s versatility as an artist. Whether she’s belting out high notes or singing softly, her voice is captivating. Each track brings something different to the table, making this album a must-listen for both old fans and new listeners alike.

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The Hi-Roller: A Carnival Ride from My Nightmares

Y'all know I love me some carnival rides. So, take a look at this photo for a hot minute before proceeding to read my blog. Have you ever seen one of these in action? Did you ride it? Well, I did, and the first time was enough to be the last time for me.

Side By Side, Ring of Fire & Hi Roller

I used to love the Super Loops aka Mega Loop aka Ring of Fire, built by Larson International, before my body began to tell me I am not built for multiple inversions within a short period of time. I loved the upside-down action back in the day. THIS ride, however, looks like someone took the idea of the Super Loops, squished it down to an oval then combined it with parts used to build various kiddie rides, creating the most nightmarish ride I have ever ridden in my life.

The Hi-Roller aka Crazy Train, manufactured by Larson International, began to pop up on carnival midways in the mid-1990s despite its low capacity. The ride consists of an oval track mounted onto a frame. Riding along the track are five triangular-shaped cars that hold four people each, and you definitely do not want to be in the car with someone who may suffer from any sort of motion sickness. Most of the early versions were themed Hi-Roller, featuring graphics of poker cards, slots, and other casino-related visuals. The 90s brought in the casino themes with rides like the redesigned Trabant, which Chance Rides renamed Wipeout. For anyone who's ridden this ride, you would agree that Hi-Roller is a fitting name, allowing a casino theme as well as a description of the ride experience.

Riders enter one of the five, four-person cars, sitting, facing the car in front of them. If they are claustrophobic, they better speak up before the operator locks them in because once it starts, there's no turning back... then again, they will be turning back and in every other direction. The only comfortable thing about this ride is the padded lap bar. When the ride begins to move, you think it's going to be tame because the train starts to slowly trod around the track. However, the second the whole structure begins to spin, all hell breaks loose, and you are banging into the person next to you and they into you for the duration of the ride.

One of the best parts of the ride, if you are not opposed to the nature of the movements, is the fact that you can see the reactions of the riders in front of you unless the plexiglass window is caked with dried vomit. As you round the bend in the turns, you will be quite close to each other, adding to the chaotic experience. Did I mention that the cars flip open when the operator lets you out? Just imagine a power outage or the ride breaking down while the cars are in the turn, trapping the riders until they either winch the train to the straight position or the ride starts back up. There's not much ventilation, so it gets hot, and if someone was sick on the ride, you might catch a few whiffs of whatever they left behind.

Have you ever ridden the Hi-Roller? If so, what are your thoughts? My takeaway from the one time I rode this ride was that it’s similar to the time my sister convinced me to get into a clothes dryer, then closed the door and turned it on. Just awful.

A Night to Remember: Unexpectedly Experiencing Cats on Broadway for the First Time in 1992

The original Broadway home of CATS

Seeing Cats on Broadway in September 1992 was a magical experience. My friend Tom and I met in front of the Majestic Theatre, hoping to see The Phantom of the Opera. Unfortunately, it was sold out. Though it was in its 4th year, Phantom tickets were a challenge to get, and two seats together were almost impossible. We accepted defeat and decided to try another show. I had suggested Les Misérables, but Tom said it was three hours long and the only special effect was the guns, so he suggested Cats. I had not seen the show yet and had only heard the songs "Memory" and "Mr. Mistoffelees." From the moment we walked into the theatre, I was awestruck. The set was everywhere. Christmas lights strung over the audience made it feel like we had walked onto a movie set. As the lights dimmed and the overture began, you knew you were in for something special when you heard the patter of feet throughout the theatre and saw glowing eyes moving around the aisles. The costumes and sets were impressive. Tom and I were sitting close to the stage, in a row that had enough space for the actors to pass in front of us. The elaborate cat costumes, complete with furry tails and whiskers, transformed the actors into their feline counterparts but definitely not your average kitty cats. As Old Deuteronomy, played by Ken Prymus, slowly passed us, observing everyone around as an old cat would do, Tom and I could feel some of the fibers that made up his costume, which I discovered was made of yak hair. The set, designed to resemble a junkyard, was a playground for the cats, filled with oversized props that created a sense of scale and fantasy. The use of lighting and special effects added an extra layer of magic, making the entire production feel like a dream come to life. I have seen the 4th national touring production a few times and as great as the cast members were, the magic just doesn't transfer to most theatres in spite of the impressive set.

The creative team of CATS

The cast brought their A-game too. Each character was portrayed with such detail, including little tics that cat owners would notice as part of normal behavior for their own feline friends. Jennyanydots, played by Rose McGuire, was hysterical, as was Bradford Minkoff in the role of Rum Tum Tugger. Mister Mistoffelees was performed by an incredibly graceful dancer from Japan named Gen Horiuchi. I was not one to enjoy dancing, especially ballet-like moves, but Mr. Horiuchi was so mesmerizing that he is the reason I began to appreciate different styles of dance. Roger Kachel and the adorable Kristi Lynes brought a lot of comic relief to the show as Mungojerrie and Rumpleteazer. Munkustrap, played by Bryan Batt, was the kitty I would have chosen to adopt and take home. Batt was the sort of leading man whose velvety voice could fit into any leading role. As much as I loved everyone I saw in the cast, there was another who could have just walked on stage, sang her song, and called it a night. Laurie Beechman, who played Grizabella, delivered a truly unforgettable performance. Her rendition of "Memory" was nothing short of haunting, filled with raw emotion that left the audience in awe. Her powerful voice is most likely echoing in the rafters of the Winter Garden Theatre to this day. Laurie Beechman's expressive acting made her a standout among a talented cast. I've seen several ladies perform the role of Grizabella, all very talented, but Laurie Beechman seemed to tap into the character to the point where everyone could sense something was not at all right about that cat. Pain, longing, and loneliness are words that come to mind, but there was more to it. Years later, I read that Laurie had struggled with and battled ovarian cancer for many years and worked throughout her treatment despite her pain. I had the luck of meeting her in 1993 and loved her warm, sweet demeanor. I was 16 or 17 and sort of starstruck, but she was not having it. The moment she grabbed my hand and thanked me for my words about her performance, my nerves were gone. She signed my CD copies of her Listen To My Heart and Time Between the Time albums, both of which I treasure to this day.

Laurie Beechman as Grizabella

The ensemble numbers were packed with energy, showcasing the incredible talent of the dancers and singers. It was clear that every performer was fully committed to their role, creating a vibrant and immersive world on stage. In addition to the infectious music and larger-than-life set, the choreography was another highlight of the show. Gillian Lynne's dance sequences were both intricate and fluid, perfectly capturing the feline grace and agility of the characters. The dancers moved effortlessly across the stage, their movements synchronized with the pulsating rhythm of the music. Each dance number was a visual feast, adding depth and dynamism to the storytelling. By the end of the show, I was in tears—it was beautiful and so immersive. I was there with a man I had crushed on for years, and though my focus would have been on him in any other setting, I basically ignored him for two hours. But the second we exited the Winter Garden, there I was, with Tom and our memories of seeing Cats. After leaving the show, I had to have the cast album and acquired both the London and Broadway recordings. Comparing the live show to the cast recording, there were some noticeable differences in the orchestrations. The live performance had a richer, more immersive sound, with the orchestra bringing a dynamic range that you just can't capture in a recording. The music felt more alive, responding to the energy of the performers and the audience. While the cast recording is a wonderful way to relive the show, nothing compares to the experience of seeing Cats live on stage, where every note, movement, and emotion come together to create an unforgettable theatrical experience.

If you’re interested in the music of Cats, I highly recommend the 1985 Australian Cast Recording. It’s the most extensive of all the English-language cast albums and reflects many of the changes made after the show had been running for a few years in New York. Debra Byrne’s Grizabella is stellar. The Broadway cast album is also great, especially with Betty Buckley's powerful rendition of "Memory," though the show did change slightly after the album was recorded. The London Cast Recording, while nice for a 42-year-old album, feels more like a concept album at this point. However, Elaine Paige's rendition of "Memory" is iconic, and hearing Sarah Brightman as Jemima is kinda awesome. The film soundtrack, much like the film itself, is not recommended.

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Saturday Wrestling Spotlight: Tulsa’s Triumph: The Legacy of Jody Haselbarth in GLOW and Beyond

This week's GLOWING Saturday Spotlight is all about Tulsa, played by Jody Haselbarth. This blog entry was a special collaboration with Jody Haselbarth. A big THANK YOU to Tulsa! Not only did she help co-write this piece, but she also shared some fantastic photos from her rodeo days. Enjoy the trip down memory lane!

Jody as Tulsa

This week's GLOWING Saturday Spotlight is all about Tulsa, played by Jody Haselbarth. Tulsa joined GLOW in the third season and stayed until the show's end, standing out with her cowgirl persona, charming Southern accent, and a whole lot of spunk. Initially seen as a replacement for Dallas from previous seasons, Tulsa carved out her own niche as the Yellow Rose of GLOW. She was one of the "country" girls, alongside Babe and Sally the Farmer's Daughters, but she truly stood on her own, especially with her authentic Texan accent. Tulsa wasn't just another pretty face; she was fearless in the ring, from surviving Beastie shoving raw meat prepped with the potty brush in her mouth during a match to Hollywood performing an iconic flying scissor takedown on her, which can be seen in the opening credits during the season 3 and 4 episodes of GLOW. Her impeccable timing and delivery during skits, as well as her fun raps, made her an even more memorable character. Tulsa connected with the audience, winning their hearts whether she was trash-talking her opponents or performing high-flying moves.

When Matt Cimber was considering her character, Jody told him that all she knew how to be was a cowgirl and that since Dallas left, GLOW needed another one. He actually listened, something he rarely did. Jody was a real rodeo cowgirl; barrel racing, break-away calf roping, and goat tying. She even rode bulls and bareback broncs in all-girl rodeos. Jody said she was horrified that Matt gave her the name Tulsa because it is north of the Red River and because she is a native Texan. Later, her momma told her that she lived in Oklahoma when she was a little girl, so that made everything alright. I loved hearing her say that because my own mom was from Tulsa, Oklahoma, and lived many years in Texas. In her words, "Our sweet mommas are both OK and TX, what a great combination!" Her ring entrance with a lasso became iconic, and though her fans would have loved to see her use it in the ring, she was a clean fighter who earned her victories fairly. She embodied the spirit of a true rodeo cowgirl because she WAS one. Although she wasn’t allowed to use her lasso in the ring (it was considered a weapon), she wouldn’t rope a person anyway since it is a real calf rope that she used in break-away calf roping. She made an exception for Beastie because she considered her livestock.

After the television series was canceled, Jody Haselbarth continued to wrestle as Tulsa independently and was lucky enough to work around the world, wrestling in Malaysia, Hong Kong, Jordan, Panama, England, Japan, and several tours to Hawaii with other ladies of GLOW such as Hollywood, Lightning, Mt. Fiji, Dementia, Tiffany, Dallas, Beastie, and a few others. Officially, Jody made one final televised GLOW appearance as Tulsa, wrestling Hollywood during the 1993 GLOW pay-per-view event. But that wasn't the last we saw of Jody. She went on to become a much sought-after stunt performer, known for her work in movies like Transformers: Age of Extinction, Arlington Road, and Idiocracy. She's also appeared in other popular films and TV shows, proving her versatility and dedication to her craft. Some of her best stunts were in The Texas Chainsaw Massacre as Renee Zellweger’s stunt double and Matthew McConaughey set her on fire. Jody's work has earned her recognition and respect among her peers in the entertainment industry. She's an absolute sweetheart and super fan-friendly, a rare quality among the "Good Girls" from GLOW. Jody is active on Facebook, and along with many of the other ladies of the original GLOW series, she proudly carries the torch, dedicated to preserving the legacy of Tulsa and GLOW for the fans.

Tulsa’s legacy in GLOW is a testament to the impact Jody had on fans and the world of women’s wrestling. Whether you're a long-time fan or discovering GLOW for the first time, Tulsa’s matches are definitely worth revisiting. They capture the essence of what made GLOW such a groundbreaking and entertaining show.

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Carnival Thrills and Fairground Nostalgia: 1992, the year Reithoffer took over the Pensacola Interstate Fair

Reithoffer's Kroon Dutch Wheel

Back in October 1992, I briefly returned from New York after spending a year hitting up Six Flags Over Georgia, Six Flags Great Adventure, and Coney Island. To be honest, I was a bit jaded and felt like no fair could compare to those experiences, even though I'd always loved fairs. The buzz around the Pensacola Interstate Fair that year was off the charts, especially with WEAR-3 showcasing Reithoffer Shows rolling into town for the first time. The fair was set to run from October 22 through October 31. My parents had split up, so I was staying with my mom, but my dad came in from Mobile, and we met up with my sister and brother-in-law at the fair. Reithoffer was like a carnival on steroids, with rides and attractions straight out of a dream, some even featured in the film "BIG". As soon as we arrived, we were greeted by a sea of bright colors, the irresistible smell of fair food, and the sound of excited screams from the rides. It was sensory overload in the best way possible.

In previous years, Goodings Million Dollar Midways had the contract, claiming 85 rides and attractions, but with Reithoffer, there were over 120. After a closer look, it turned out there were around 45 rides in past years, and with the new contract, there were about 60 rides. The higher numbers included games, food, and other fairgoer interests. The rides are the heart of the fair, with the Kroon Dutch Wheel on one end and the Sky Wheel (aka Double Ferris Wheel) towering over everything on the other end, both offering breathtaking views of the fairgrounds and the city beyond. The lineup was a good mix of kiddie, family, and adrenaline-pumping thrill rides. Reithoffer owned most of the rides but also booked some from other carnival companies. Unlike Goodings' lineup, everything on the midway looked well-kept and clean. An old ride that had never appeared at the fair before, the Bayren Kurve, became one of my favorites that year, unfortunately it never made another appearance. Classics like the Enterprise, Sky Diver, Tilt-a-Whirl, Spider, Zipper, Kamikaze, and a similar ride called the Tomahawk were also present. The Tilt-a-Whirl and Spider were regular fixtures, spinning riders in every direction and leaving them dizzy. I learned my lesson the first time I rode them: never again. The Zipper had been a favorite for many years, and I often rode it alone at Coney Island despite the no single rider rule. This one was much more colorful than the Coney Island version.

For those preferring more leisurely rides, there was a carousel with beautifully painted horses, a smaller ferris wheel called the Aristocrat Wheel, a Round Up, and a couple of Gravitrons. Another new ride to the fair that year was the Huss Rainbow, a regular fixture at the Mobile fair and one of my favorites. It’s very rare in the US now, and despite the movement, it was huge, smooth, and didn’t involve restrictive restraints. Reithoffer seemed genuinely proud of their equipment, with almost all rides featuring signage with stats and insights about their origin. This added a special touch, making typical rides on this midway feel unique. Reithoffer showcased a Himalaya from France, a German-built ride called the Raupen Bahn with a canopy that covered the seats, and another German ride called See Sturm Bahn, which had boat-shaped cars that spun on their own during the ride cycle as well as a decorative water feature in the center. Compared to previous years, Reithoffer offered substance and power, with fewer filler attractions like funhouses, dark rides, and mirror mazes, though they did have a few. Game booths lined the paths, offering chances to win giant stuffed animals or quirky prizes. The 4-H animals were a hit with families, allowing kids to get up close and personal with friendly goats, sheep, and even llamas. I noticed fewer freak shows compared to previous years, but there was still one set up at the corner of the midway. I never really took an interest in freak shows, thinking it was rude to stare at people with defects. The food was impossible to resist, with corn dogs, Polish and Italian sausages, carnival pizza, funnel cakes, giant turkey legs, candy apples, and cotton candy. Reithoffer Shows didn't just bring rides and games; they brought a sense of excitement and wonder, creating an atmosphere that was magical and unforgettable. The debut of Reithoffer Shows at the Pensacola Interstate Fair was a game-changer, setting the bar high for future fairs and leaving everyone eagerly anticipating the next year's extravaganza. For those who were there, it was an unforgettable experience that left cherished memories and a sense of community. Thirty-one years later, they still hold that contract.

Embracing Eccentricity: A Dive into David Sedaris's Naked a book review

Naked by David Sedaris Front Cover

David Sedaris is one of my all time favorite authors. His quirky stories and style of writing is not only entertaining and light, it offers insight to the life of a not so typical family. “Naked” by David Sedaris is a rollicking collection of autobiographical essays that delve into the absurdities and eccentricities of Sedaris’s life. From his unconventional childhood to his adult misadventures, each essay is a blend of humor, wit, and deeply personal reflections. The book kicks off with “Chipped Beef,” where Sedaris sets the tone for his storytelling style—sharp, sardonic, and unflinchingly honest. He doesn’t shy away from exposing the oddities of his family dynamics, making you laugh out loud while also feeling a pang of empathy.

One standout essay, "Get Your Ya-Ya's Out!", paints a vivid picture of Sedaris’s eccentric Greek grandmother. Through his narrative, he manages to capture the complexity of familial relationships with a balance of humor and tenderness. Sedaris’s ability to find comedy in the mundane and the bizarre is what makes this book so compelling. His encounters and observations are quirky yet relatable, creating a connection with readers who see fragments of their own lives in his stories.

As the book progresses, Sedaris continues to unravel the fabric of his life with essays like “Next of Kin” and “Cyclops,” where he reflects on his experiences with an unfiltered lens. His storytelling is infused with a kind of vulnerable honesty that’s both disarming and engaging. The titular essay “Naked” is a particularly candid exploration of his time at a nudist colony, where his trademark humor and self-deprecation shine. Sedaris masterfully turns his personal discomfort into comedic gold, offering readers a glimpse into his psyche while keeping them thoroughly entertained.

In essence, “Naked” is a testament to David Sedaris’s talent for blending humor with introspection. His essays are not just funny anecdotes but insightful commentaries on human nature and the quirks that define us. It’s a book that will make you laugh, think, and perhaps even see the oddities in your own life through a more humorous lens. Whether you’re a long-time fan or new to Sedaris’s work, “Naked” is a must-read for anyone who appreciates sharp wit and genuine storytelling.

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An easy way to knit, without needles!!!

Many people who’ve seen my knitted scarves and hats often ask how I made them and why I chose loom knitting over crochet or needle knitting. Loom knitting is such a fun and easy way to get into knitting, especially if traditional needles aren’t your thing. Even if you become advanced, you can make the jump to needles, but I never saw the need—I love the looms.

While I was homeless in New York, I used to spend time shopping at Woolworth, a store with a ton of useful, practical, and sometimes quirky items at affordable prices. One day, I stumbled upon a knitting set with plastic gadgets called knitting looms instead of the usual needles, along with some yarn. I bought the set and took it back to my place in New Jersey. It was in the toy department, but it was definitely not for children or anyone expecting instant results. After reading the poorly written directions and a few starts and restarts, I got the hang of knitting and purling and created my first scarf with the bright pink and turquoise yarn included in the set. Within a few days of wearing it, it was stolen from me after I took it off and sat it in the seat next to me on the subway. One moment it was in the seat and the next it was gone, lesson learned and I hope the person who took it appreciated it's warmth and extreme itchiness.

A recreation of my first knitted scarf, complete with the mistakes I made when I first learned.

I knitted a few scarves and hats with the set, using the cheap yarn I found at Woolworth—sometimes itchy, sometimes smooth and comfortable. Loom knitting became a fun and useful skill for me and helped pass time during long nights when I had nothing to do. I would start working on a scarf when the sun went down and by the time it rose, I had another scarf finished.

A Typical Loom Knitting Set

If you’re looking for a great yarn to start with, some go for Red Heart Super Saver because of the color choices and price point but I highly recommend Red Heart With Love it is a fantastic choice for anyone looking for comfort as they work. It’s super soft, comes in tons of vibrant colors, and is perfect for making cozy scarves, hats, and blankets. Plus, it’s machine washable, which is always a win. The best part? You don’t need to be a pro to get started. With a knitting loom and a skein of yarn, you can create beautiful, even stitches with minimal effort.

The Wonder Woman scarf I knitted a few years ago.

Speaking of looms, if you’re in the market for one, eBay is a great place to find knitting loom sets. You can score some awesome deals on both new and used looms. Whether you need a simple round loom for hats or a long loom for blankets, eBay has got you covered. Just make sure to check the seller’s ratings and reviews to ensure you’re getting a good quality product. It’s also a good idea to look for sets that include different sizes of looms, so you have the flexibility to tackle various projects. I highly recommend purchasing a set of long looms, perfect for scarves and blankets as well as a set of round looms which are the most versatile as you can create round projects such as hats but also flat panels for blankets and also scarves. Knifty Knitter was once the gold standard but Provocraft discontinued the line and companies such as Boye and Simplicity began making looms that were similar. You can also find them in stores such as Michaels branded Loops and Threads and Yarnology by Hobby Lobby but the no name brands are just as functional and do the exact same thing, no need to spend a lot on them. A few years back, I reviewed the Martha Stewart Knit and Weave Kit. I hated it at first, but it eventually grew on me. It does take a bit more effort to use, but it’s super convenient since it comes with pieces you can assemble into whatever loom you need.

Martha Stewart Knit and Weave Kit

If you’re looking for more yarn options, Lion Brand has some great recommendations. Their Wool-Ease Thick & Quick yarn is perfect for loom knitting. It’s a super bulky yarn that works up quickly and provides excellent stitch definition and texture. Another great option is the I Love This Yarn from Hobby Lobby. It’s incredibly soft and comes in a variety of beautiful colors, making it perfect for any project you have in mind.

For those who need a little direction or ideas for knitting creations, I recommend checking out some "Loom Knitting Primer" by Isela Phelps as well as "Loom Knitting for Beginners" by Jennifer Finn. I love the fact that you don't need to count stitches or pay much attention to what you are doing. It's easy enough that you can watch television, listen to music or even an audiobook while you knit.

Overall, loom knitting is a fun and rewarding hobby and you may find that you are able to sell some of your creations to people who, like yourself, love handmade creations. It’s perfect for beginners and experienced knitters alike, offering a relaxing way to create beautiful handmade items that are functional and very useful. And with the convenience of purchasing loom sets on eBay and exploring yarn options from Lion Brand and Hobby Lobby, you can easily find everything you need to get started. So grab some yarn, find a comfy spot, and start loom knitting your next masterpiece!

If you're not interested in creating your own but would to purchase a hand knitted scarf, hat or both from me, let me know and I can create something for you, while not cheap, I do try and stay reasonable with my prices.

Debra Dejean: A Disco Diva's Journey

Debra Dejean's self titled album cover

Debra Dejean might not be a household name today, but back in the early 80s, she was a disco queen with a flair for catchy dance tracks. Born in New Orleans and raised in Memphis, Dejean made a splash with her debut album "Debra Dejean" in 1981. Her biggest hits, "Goosebumps" and "Are You Lovin' Somebody," climbed the Billboard Hot Dance Club Play chart, making her a staple in the dance clubs of the time. Her music had that perfect mix of infectious beats and soulful vocals that got people moving.

When it came to live shows, Debra Dejean knew how to work the stage. Her performances were all about high energy and connecting with the crowd. Whether she was belting out "Goosebumps" or getting the audience to sing along to "Are You Lovin' Somebody," Dejean had a way of making every show feel personal and electrifying. Fans loved her for her charisma and the way she could bring her disco anthems to life.

Her record, though short-lived, left a lasting impression on the disco scene. The album received positive reviews for its vibrant energy and Dejean's soulful delivery. Critics praised her for bringing a fresh yet authentic sound to the genre, with her unique voice and danceable beats creating a standout listening experience. Even though she only released one album, her impact on the dance music genre was significant. Dejean passed away in 2015, but her music continues to be celebrated by disco enthusiasts and those who appreciate a good dance track.

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